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Foot switch assign, Foot switch assign list, P.232 – KORG TRITON STUDIO music workstation User Manual

Page 242: P.232 “foot switch assign”)

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The A mode functions of the REALTIME CONTROLS
are fixed.

Knob1-A: LPF Cutoff (Filter LPF Cutoff: CC#74)
Control the low pass filter cutoff frequency of the filter.
Simultaneously, CC#74 will be transmitted.

Knob2-A: Resonance/HPF

(Filter Resonance/HPF Cutoff: CC#71)

Control the resonance level or the cutoff frequency of the
high pass filter. If the program “Filter Type” is Low Pass
Resonance

, the resonance level will be controlled. If “Filter

Type” is Low Pass & High Pass, the cutoff frequency of the
high pass filter will be controlled. Simultaneously, CC#71
will be transmitted.

Knob3-A: EG-Intensity (Filter EG Intensity: CC#79)
Control the filter EG intensity. Simultaneously, CC#79 will
be transmitted.

Knob4-A: EG-Release (Filter, Amplifier EG Release: CC#72)
Control the release time of the filter and amplifier EG.
Simultaneously, CC#72 will be transmitted.

You can assign the function of an assignable switch (sepa-
rately sold Korg PS-1 option) connected to the ASSIGN-
ABLE SWITCH jack.

• This setting is made in GLOBAL 6.1: Controller “Foot

SW Assign” (6.1–1a).

If you select a function that includes a CC#, that MIDI
control change message will be transmitted each time
the switch is turned on/off. (Off: 0, On: 127)

Foot Switch Assign List

Portamento SW (CC#65)
When the “Mode (Oscillator Mode)” (PROG 2.1–1a) is Sin-
gle

, turning the switch on will apply portamento regardless

of the “Enable (Porta. Enable)” (PROG 3.1–1c) setting, and
turning the switch off will not apply portamento.
If “Mode (Oscillator Mode)” is Double, and if the “Enable
(Porta. Enable)” setting is the same for OSC1 and 2 (i.e.,
Enable

or Disable for both OSC1 and 2), then portamento

will be applied to OSC1 and 2 when the switch is turned on,
and portamento will not be applied to OSC1 and 2 when the
switch is turned off.
If the “Enable (Porta. Enable)” setting is different for OSC1
and 2 (i.e., OSC1 is Enable and OSC2 is Disable, or OSC1 is
Disable

and OSC2 is Enable), then portamento will be

applied to the OSC whose setting is Enable when the switch
is turned on, and portamento will be applied to neither OSC
when the switch is turned off.

Foot Switch Assign

Off

The connected foot switch will not function.

Foot SW (CC#82)

Alternate Modulation or Effect Dynamic Modulation can be controlled. To control these, select Foot SW:#82 for “AMS” or
FSW#82 for “Dmod Src.”

Portamento SW (CC#65)

Control portamento on/off.

Sostenuto (CC#66)

Control the sostenuto effect (which holds only the keys (Note No.) that were being held at the moment that the pedal
switch was turned on).

Soft (CC#67)

Turn the soft pedal effect on/off.

KARMA On/Off

Control the KARMA function on/off.

KARMA Latch On/Off

Control KARMA Latch.

Program Up

The switch can be used to select programs or combinations. When in PROG 1.1: Play, the program that follows the cur-
rently selected program will be selected. When in COMBI 1.1: Play, the combination that follows the currently selected
combination will be selected. Simultaneously, a Bank Select message and Program Change message will be transmitted.

Program Down

The switch can be used to select programs or combinations. When in PROG 1.1: Play, the program that precedes the
currently selected program will be selected. When in COMBI 1.1: Play, the combination that precedes the currently
selected combination will be selected. Simultaneously, a Bank Select message and Program Change message will be
transmitted.

Song Start/Stop

The switch can be used to start/stop the sequencer. Simultaneously, a MIDI Start or Stop message will be transmitted.

Song Punch In/Out

If “REC Setup”(SEQ 1.1–6a) is set to Manual Punch In, the switch can be used to punch-in and punch-out when record-
ing on the sequencer.

Cue Repeat Control

This can be used if in SEQ 2.1: Cue List, the “Rep (Cue Edit-Repeat)” (2.1–1b) setting of each step has been set to FS.
Turning the pedal switch on while that step is repeating will be the trigger for advancing to the next step. When the end of
the song is reached, this will advance to the next step (song).