KORG TRITON STUDIO music workstation - Manual (Page 63)

COMBI
1.1
2.1
2.2
2.3
3.1
3.2
3.3
3.4
4.1
4.2
4.3
4.4
6.1
6.2
6.3
6.4
7.1
7.2
7.3
53
■ 3.3–1c: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
3.3–2: Slope
(Key Slope)
3.3–2a: Top Slope, Bottom Slope
Top Slope [00...72]
Specifies the range of keys (12 is one octave) over which the
volume will be reached starting from the top key.
0: The volume will be at the original level from the top key.
12: The volume will increase gradually as you play down-
ward, and will reach the original volume one octave below
the top key.
60:
The volume will increase gradually as you play down-
ward, and will reach the original volume five octaves below
the top key.
Bottom Slope [00...72]
Specifies the range of keys (12 is one octave) over which the
volume will be reached starting from the bottom key.
0: The volume will be at the original level from the bottom
key.
12:
The volume will increase gradually as you play upward,
and will reach the original volume one octave above the bot-
tom key.
60:
The volume will increase gradually as you play upward,
and will reach the original volume five octaves above the
bottom key.
■ 3.3–2b: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
3.3–3: Review
3.3–3a: Key Zone Map (All)
T1...T8
This displays the range of note data that will sound timbres
1–8. The range of notes sounded is shown as a line, and the
slope portion is shaded.
■ 3.3–3b: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1d)
Sets the Top/Bottom Velocity parameters to specify the
range of velocities that will sound each timbre 1–8, and sets
the Top/Bottom Slope parameters to specify the range over
which the volume will change.
By setting two or more timbres to velocity zones that do not
overlap, you can use variations in playing dynamics to play
different sounds (Velocity Switch).
If you set two or more timbres to velocity zones that overlap,
the sounds will be heard together (Layer).
If the slope ranges (gray line) overlap, different sounds will
be sounded together, and your playing dynamics will deter-
mine the proportion of each sound (Velocity Cross-fade).
3.4–1: Vel
(Velocity Zone)
3.4–1a: Velocity Zone Map (1)
This displays the range of velocities that will sound the cur-
rently selected timbre. The range of velocities sounded is
shown as a line, and the slope portion is shaded.
3.4–1b: Top Velocity, Bottom Velocity
Top Velocity [1…127]
Specifies the maximum velocity value that will sound each
timbre 1–8.
Bottom Velocity [1…127]
Specifies the minimum velocity value that will sound each
timbre 1–8.
You can also set this parameter by holding down the
[ENTER] key and playing a note.
It is not possible to set the bottom velocity greater than
the top velocity for the same timbre. Nor can the top
slope and the bottom slope overlap.
■ 3.4–1c: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
3.3–2a
3.3–2b
3.3–3a
3.3–3b
COMBI 3.4: Ed–Vel Zone
(Velocity Zone)
3.4–1a
3.4–1b
3.4–1c
Bottom Velocity Top Velocity
Bottom Slope Top Slope