KORG TRITON STUDIO music workstation - Manual (Page 250)

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The following table shows the relation between the MIDI
messages that are transmitted when this instrument’s con-
trollers are operated, and the AMS (alternate modulation
source) or DMS (dynamic modulation source) that corre-
spond to each MIDI message. # indicates a fixed function,
and * indicates an assignable function.
When one of this instrument’s controllers is operated, the
corresponding or the assigned control change will be trans-
mitted. Pitch Bend messages will be transmitted only when
the joystick is moved in the X (horizontal) direction. The
operation in each mode is described below. (Explanations
are given only for control changes, but the same applies to
pitch bend as well.)
Program mode
When one of this instrument’s controllers is operated, a con-
trol change message will be transmitted on the global MIDI
channel.
If a REALTIME CONTROLS B mode knob [1]–[4] is set
to Master Volume, the universal exclusive message
Master Volume will be transmitted.
Combination mode
When one of this instrument’s controllers is operated, a con-
trol change message will be transmitted on the global MIDI
channel.
Simultaneously, the message will also be transmitted on the
MIDI channel (“MIDI Channel” COMBI 3.1-1a) of any tim-
bre whose “Status”(COMBI 3.1–1a) is EXT or EX2.
When one of this instrument’s controllers is operated, its
effect will apply to any timbre whose “Status” is INT and
whose “MIDI Channel” setting is either Gch or the same as
the global MIDI channel.
In the case of Master Volume, the universal exclusive
message Master Volume will be transmitted only on the
global MIDI channel.
You can make settings for MIDI Filter (COMBI 4.1–4.4)
to enable or disable control changes and controllers for
each timbre. When checked, the above operations will
be enabled.
Effect dynamic modulation can be controlled when the
“Control Ch (Control Channel)” (COMBI 7.2–1b, 7.3–1a, 7.3–
1d) setting for IFX1–5, MFX1, 2, or MEQ is either set to Gch
or to the same channel as the global MIDI channel. (In the
case of All Rt., control is possible on the MIDI channel of
any routed timbre.)
KARMA modules [A][B][C][D] can be controlled when the
“Input Channel” and “Output Channel” (COMBI 6.1–2a)
specified for each module are Gch or match the global MIDI
channel.
Sequencer mode
When one of this instrument’s controllers is operated, its
effect will apply to the track 1–16 that is selected by “Track
Select” (SEQ 1.1–1c).
If the “Status” (SEQ 3.1–1a/2a) of the track selected by
“Track Select” is EXT, EX2, or BTH, a control change mes-
sage will be transmitted on the MIDI channel specified by
“MIDI Channel” (SEQ 3.1–1a/2a).
If the “Status” is INT or BTH, operating one of this instru-
ment’s controllers will affect only that track. Simultaneously,
the same effect will also apply to any track with the same
“MIDI Channel” setting.
In the case of Master Volume, the universal exclusive
message Master Volume will be transmitted.
You can make settings for MIDI Filter (SEQ 4.1–4.4) to
enable
or disable control changes and controllers for
each track. When checked, the operations effective for a
“Status” of INT or BTH will be enabled. Tracks whose
“Status” is EXT, EX2, or BTH will transmit control
changes regardless of this setting.
Effect dynamic modulation can be controlled when the
“Control Ch (Control Channel)” (SEQ 7.2–1b, 7.3–1a, 7.3–1d)
setting for IFX1–5, MFX1, 2, or MEQ matches the MIDI
channel of the track selected by “Track Select.” (In the case
of All Rt., control is possible on the MIDI channel of all
routed tracks.)
If one of this instrument’s controllers is operated during
realtime recording, the corresponding or assigned control
change will be recorded.
KARMA modules [A][B][C][D] can be controlled when the
“Input Channel” and “Output Channel” (SEQ 6.1–2a) speci-
fied for each module are Gch or match the MIDI channel of
the track selected by “Track Select.”
Song Play mode
When one of this instrument’s controllers is operated, the
effect will apply to the track 1–16 that is selected by “Play
(Track Select)” (S.PLAY 1.1–1a).
If the “Status” (S.PLAY 3.1–1a/2a) of the track selected by
“Play (Track Select)” is either EXT or BTH, control change
messages will be transmitted on the MIDI channel of the
track (or in the case of Song Play mode, on MIDI channels 1–
16 for tracks 1–16).
If the “Status” is INT or BTH, operating one of this instru-
ment’s controllers will affect that track.
In the case of Master Volume, the universal exclusive
message Master Volume will be transmitted.
Effect dynamic modulation can be controlled when the
“Control Ch (Control Channel)” (S.PLAY 7.2–1b, 7.3–1a, 7.3–
1d) setting for IFX1–5, MFX1, 2, or MEQ matches the MIDI
channel of the track selected by “Play (Track Select).” (In the
case of All Rt., control is possible on the MIDI channel of all
routed tracks.)
KARMA modules [A][B][C][D] can be controlled when the
“Input Channel” and “Output Channel” (SEQ 6.1–2a) speci-
fied for each module are Tch or match the MIDI channel of
the track selected by “Track Select.”
* Global MIDI channel:
GLOBAL 2.1: MIDI “MIDI Channel” (2.1–1a)
MIDI transmission when
this instrument’s controllers are
operated