Appendices 243 – KORG TRITON STUDIO music workstation User Manual

Page 253

Appendices

243

Any control change number (CC#00–95) can be
assigned as the B mode function of a REALTIME CON-
TROLS knob. In this case, the transmitted values will all
be 0–127.

You can assign any control change number (CC#00–95)
to the KARMA Realtime Controls knobs and keys. In
this case, the transmitted value will be 0–127 for knobs
[1]–[8], and 0 (Off) or 127 (On) for all others.

On this instrument’s sequencer, bank select messages are
normally specified as a program change event (“Event
Edit” SEQ 5.2–1b). However in some cases this will be
insufficient when you wish to change banks on an exter-
nal device. In such cases, you can use CC#00 and CC#32
to specify the banks.
For information on the relation between bank select
numbers and the banks of your external device, refer to
the owner’s manual for your external device.

Unlike conventional control changes, pitch bend range,
fine tune, and coarse tune settings are made using RPC
(Registered Parameter Control) messages. In Program,
Combination, Sequencer, and Song Play modes, you can
use RPC messages to control the bend range and tuning
for each program, combination (Combination), or track
(Sequencer, Song Play). The procedure is to use an RPN
(Registered Parameter Number) message to select the
parameter that you wish to edit, and then use Data Entry
to input a value for that parameter. To select the parame-
ter, use CC#100 (with a value of 00–02) and CC#101 (with
a value of 00). use CC#06 and CC#38 to enter the data.
The data entry values for each parameter and the corre-
sponding settings are as follows.

For example, if in Sequencer mode you wish to set a
track that is receiving channel 1 to a transpose (coarse
tuning) value of -12, you would first transmit [B0, 64, 02]
(64H=CC#100) and [B0, 65, 00] (65H=CC#101) to this
instrument to select the RPN coarse tune. Then you
would set this to -12 by transmitting [B0, 06, 34]
(06H=CC#6), 34H=52 (corresponds to –12), and [B0, 26,
00] (26H=CC#38, 00H=0).

The volume of this instrument is determined by multiply-
ing the Volume (CC#07) with the Expression (CC#11).
When you select a song in Sequencer, Song Play mode,
the volume will be set to the values specified for each

track, and the expression will be set to the maximum
value (127).

A value of 64 will correspond to the value specified by the
program parameter. 0 will be the minimum, and 127 will
be the maximum. Changing from 63–1 or from 65–126 will
adjust the effect from the program parameter setting
toward the minimum value or maximum value. The inter-
nal program parameters listed in (*4, *5) will be con-
trolled.

If the filter type of the corresponding program is Low
Pass Resonance

, the filter resonance level will be con-

trolled. If the filter type is Low Pass & High Pass, the
cutoff frequency of the high pass filter will be controlled.

*4, *5

CC#70–79 correspond to the following program parame-
ters of this instrument.
In Program mode, when CC#70–79 is received on the
global MIDI channel (“MIDI Channel” GLOBAL 2.1–1a),
or when a REALTIME CONTROLS [1]–[4] knob is oper-
ated in A mode or in B mode when the function is
assigned to CC#70–79, the corresponding program
parameter will be edited temporarily. You can execute
“Write Program” (PROG 1.1–1c)) to save that state
(except for some parameters). When you execute “Write
Program,” the values of the corresponding program
parameters will be rewritten.

In Combination, Sequencer, and Song Play modes, the
program parameters of the program for the timbre/
track of the corresponding MIDI channel will change,
but this state can not be saved directly in the program.

CC#70: Sustain level
Corresponds to “Filter/Amp EG Sustain Level” (PROG 4.1/
2: Ed–Filter1/2, EG page, 5.1/2: Ed–Amp1/2, EG page).

CC#71: Filter resonance level/High pass filter cutoff frequency
Corresponds to “Filter A Resonance” (PROG 4.1/2: Ed–
Filter1/2, Basic page).
Corresponds to “Filter B Frequency” (PROG 4.1/2: Ed–
Filter1/2, Basic page).

CC#72: Release time
Corresponds to “Filter/Amp EG Release Time” (PROG 4.1/
2: Ed–Filter1/2, EG page, 5.1/2: Ed–Amp1/2, EG page).

CC#73: Attack time
Corresponds to Filter/Amp EG Attack Time” ((PROG 4.1/2:
Ed–Filter1/2, EG page, 5.1/2: Ed–Amp1/2, EG page)
Corresponds to “Amp EG Start Level” (PROG 5.1/2: Ed–
Amp1/2, EG page).
Corresponds to “Amp EG Attack Level” (PROG 5.1/2: Ed–
Amp1/2, EG page).
Corresponds to “Amp EG Level Modulation Start” (PROG
5.1/2: Ed–Amp1/2, EG page).
Corresponds to “Amp EG Time Modulation Attack” (PROG
5.1/2: Ed–Amp1/2, EG page).

CC#74: Low pass filter cutoff frequency
Corresponds to “Filter A Frequency” (PROG 4.1/2: Ed–
Filter1/2, EG page).
Corresponds to “Filter B Frequency” (PROG 4.1/2: Ed–
Filter1/2, EG page).

CC#75: Decay time
Corresponds to “Filter/Amp EG Decay Time” (PROG 4.1/2:
Ed–Filter1/2, EG page, 5.1/2: Ed–Amp1/2, EG page)
Corresponds to “Filter/Amp EG Slope Time” (PROG 4.1/2:
Ed–Filter1/2, EG page, 5.1/2: Ed–Amp1/2, EG page)

CC#06 CC#38

00
01

00
00

+ 1

+12

CC#06 CC#38

–24

–12

+24

CC#06 CC#38

–50

–25

+50

RPN=0 (Pitch bend range)

RPN=1 (Fine tune)

RPN=2 (Coarse tune)

Parameter value (Semitone steps)

Parameter value (1 cent steps)