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St.graphic7eq (stereo graphic 7-band eq), St.wah/autow(stereo wah/auto wah), St.graphic7eq – KORG TRITON STUDIO music workstation User Manual

Page 182: St.wah/autow, Stereo graphic 7-band eq), Stereo wah/auto wah)

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172

d: B2 Dyn.G Src, d: (Amount), f: G

You can control the gain of Band 2 using the modulation source.

008: St.Graphic7EQ

(Stereo Graphic 7-Band EQ)

This is a stereo 7-band graphic equalizer. The bar graph of the
gain setting for each band gives you a clear, visual idea of fre-
quency responses. You can select a center frequency setting
for each band from twelve types, according to the sound.

a: Type

This parameter selects a combination of center frequencies for
each band. Select a combination of center frequencies for each
band. The center frequency of each band is shown at the top of the
LCD screen.
You can configure a 21-Band Graphic EQ ranging from 80Hz to
18kHz if you route three Graphic 7Band EQ effects in series, with
a setting of 7:Low, 9:Mid, and 11:High for each EQ.

009: St.Wah/AutoW

(Stereo Wah/Auto Wah)

This stereo wah effect allows you to create sounds from vin-
tage wah pedal simulation to auto-wah simulation, and much
broader range settings.

a

Type

1:Wide 1, 2:Wide 2, 3:Wide 3, 4:Half Wide 1, 5:Half Wide 2,

6:Half Wide 3, 7:Low, 8:Wide Low, 9:Mid, 10:Wide Mid, 11:High,
12:Wide High
Selects a combination of center frequencies for each band

b

Trim
Sets the input level

0...100

c

(Band1)
Sets the gain of Band 1

–18.0...+18.0dB

d

(Band2)
Sets the gain of Band 2

–18.0...+18.0dB

e

(Band3)
Sets the gain of Band 3

–18.0...+18.0dB

f

(Band4)
Sets the gain of Band 4

–18.0...+18.0dB

g

(Band5)
Sets the gain of Band 5

–18.0...+18.0dB

h

(Band6)
Sets the gain of Band 6

–18.0...+18.0dB

i

(Band7)
Sets the gain of Band 7

–18.0...+18.0dB

j

W/D (Wet/Dly)

Dry, 1:99...99:1, Wet

Sets the balance between the effect and dry sounds

(Source)

Off...Tempo

Selects the modulation source of the effect balance

(Amount)
Sets the modulation amount of the effect balance

–100...+100

Band2 Cutoff

Band2 Cutoff

0dB

+6dB

+15dB

Band2 Gain[dB]= +6.0
Band2 Dynamic Gain Amt[dB]= +9.0

D

-mod

0dB

+6dB

–9dB

Band2 Gain[dB]= +6.0
Band2 Dynamic Gain Amt[dB]= –15.0

D

-mod

Parametric 4EQ - Band2 Dynamic Gain Control

Left

Right

Wet / Dry

Wet / Dry

Stereo In - Stereo Out

Band1 Band2 Band3 Band4

Trim

Trim

Band5 Band6 Band7

Band1 Band2 Band3 Band4 Band5 Band6 Band7

a

FreqBottm (Frequency Bottom)
Sets the lower limit of the wah center frequency

0...100

FreqTop (Frequency Top)
Sets the upper limit of the wah center frequency

0...100

b

Swp Mode (Sweep Mode)

Auto, Dmod, LFO

Selects the control from auto-wah, modulation source, and LFO

,

Src (Source)

Off...Tempo

Selects the modulation source for the wah when Swp Mode=Dmod

c

Response

0...100

Sets the response speed when Swp Mode = Auto or Dmod

d

Envelope Sens (Envelope Sensitivity)
Sets the sensitivity of auto-wah

0...100

e

Envelope Shape
Sets the sweep curve of auto-wah

–100...+100

f

lfoF (LFO Frequency)
Sets the LFO speed

0.02...20.00Hz

,

(Source)
Selects the modulation source of LFO speed

Off...Tempo

(Amount)

–20.00...+20.00Hz

Sets the modulation amount of LFO speed

g

BPM/MIDI Sync

Off, On

Switches between using the frequency of the LFO speed and using
the tempo and notes

,

BPM
Selects MIDI Clock and assigns tempo

MIDI, 40...240

Base (Base Note)

,

, ,

,

,

,

,

Selects the type of notes that specify the LFO speed

Times

x1...x16

Sets the number of notes that specify the LFO speed

h

Resonance
Sets the resonance amount

0...100

LPF (Low Pass Filter)
Switches the Wah Low Pass Filter on and off

Off, On

i

W/D (Wet/Dly)

Dry, 1:99...99:1, Wet

Sets the balance between the effect and dry sounds

(Source)

Off...Tempo

Selects the modulation source of the effect balance

(Amount)
Sets the modulation amount of the effect balance

–100...+100

Stereo In - Stereo Out

D

-mod

Envelope Sens

Envelope Shape

Response

Wet / Dry

Wah

Sweep Mode

D-mod

Auto

Left

Right

Wet / Dry

LFO

LFO

Wah

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