KORG TRITON STUDIO music workstation - Manual (Page 64)

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3.4–2: Slope
(Velocity Slope)
3.4–2a: Top Slope, Bottom Slope
Top Slope [0…120]
Specifies the number of velocity steps over which the origi-
nal volume will be reached, starting from the Top Velocity.
0: The volume will be at the original value from the top
velocity.
120:
The volume will decrease as the velocity approaches the
top velocity.
Bottom Slope [0…120]
Specifies the number of velocity steps over which the origi-
nal volume will be reached, starting from the Bottom Veloc-
ity.
0: The volume will be at the original value from the bottom
velocity.
120:
The volume will decrease as the velocity approaches the
bottom velocity.
How volume will change according to keyboard location
■ 3.4–2b: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
3.4–3: Review
3.4–3a: Velocity Zone Map (All)
T1...T8
Specifies the range of velocities for which each timbre will
sound.
The range of velocities sounded is shown as a line, and the
slope portion is shaded.
■ 3.4–3b: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
These settings allow you to apply filters to the MIDI data
that will be transmitted and received by each timbre 1–8. For
example even if two timbres are being played by the same
MIDI channel, you can make settings so that the damper
pedal will apply to one but not the other.
On (checked): Transmission and reception of MIDI data is
enabled.
When “Status” (3.1–1a) is INT, operations of the built-in
controllers or incoming MIDI data will apply the effect of
the checked item to the program of the corresponding tim-
bre. (The effect dynamic modulation function is not affected
by this setting.) When “Status” is EXT or EX2, operations of
the built-in controllers will transmit MIDI data on the chan-
nel of that timbre. MIDI transmission and reception settings
for this instrument are made in “MIDI Filter” (GLOBAL 2.1–
1b).
The MIDI Filter 3 and MIDI Filter 4 pages contain MIDI fil-
ters for assignable controllers (whose function can be set by
the user), and if these are assigned to MIDI control changes,
the filter settings will affect those control changes.
In this case, if the assignable controllers have been set to
control changes that are also found in the MIDI Filter 1 or
MIDI Filter 2 pages, the settings in the MIDI Filter 1 and
MIDI Filter 2 pages will take priority. Also, if the same con-
trol change is assigned to two or more controllers in the
MIDI Filter 3 and MIDI Filter 4 pages, checking any one of
them will enable that control change.
Off (unchecked): Transmission and reception of MIDI data
is disabled.
4.1–1: MIDI 1–1
(MIDI Filter 1–1)
4.1–1a: Program Change, After Touch
Program Change [Off, On]
Specifies whether or not MIDI program change messages
will be transmitted and received.
After Touch [Off, On]
Specify whether or not MIDI after touch messages will be
transmitted and received.
■ 4.1–1b: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
3.4–2a
3.4–2b
Bottom Slope Top Slope
Bottom Velocity Top Velocity
Velocity
Volume
3.4–3a
3.4–3b
COMBI 4.1: Ed–MIDI Filter1
4.1–1a
4.1–1b