KORG TRITON STUDIO music workstation - Manual (Page 28)

18
JS–Y Int. to B (LFO1 JS–Y Int. to B) [–99…+99]
By moving the joystick in the Y direction (toward yourself),
you can control the depth at which OSC1 LFO1 modulates
the cutoff frequency of filter 1B. This parameter specifies the
depth and direction of the control. (
☞ “JS –Y Int. to A”)
AMS (LFO1 AMS) [Off, (PEG, FEG, AEG, KT, EXT)]
Selects a source that will control the depth and direction of
cutoff frequency change for both filters 1A and 1B (
☞ p.222
“AMS List”).
Int. to A (LFO1 AMS Int. to A) [–99…+99]
Specifies the depth and direction of the effect that “AMS
(LFO1 AMS)” will have on filter 1A.
For example, if “AMS” is AfterT, higher settings of this
parameter will allow greater change to be applied to OSC1
LFO1 when you apply pressure to the keyboard.
Int. to B (LFO1 AMS Int. to B) [–99…+99]
Specifies the depth and direction of the effect that “AMS
(LFO1 AMS)” will have on filter 1B (
☞ “Int. to A”).
4.1–4b: Filter LFO2 Modulation
Adjusts the depth of the cyclic modulation applied by OSC1
LFO2 (set by “OSC1 LFO 2” 5.3–2) to the cutoff frequency of
filters 1A and 1B (
☞ “Filter LFO 1 Modulation” 4.1–4a).
Intensity to A (LFO2 Int. to A) [–99…+99]
Intensity to B (LFO2 Int. to B) [–99…+99]
JS–Y Int. to A (LFO2 JS–Y Int. to A) [–99…+99]
JS–Y Int. to B (LFO2 JS–Y Int. to B) [–99…+99]
AMS (LFO2 AMS) [Off, (PEG, FEG, AEG, KT, EXT)]
Int. to A (LFO2 AMS Int. to A) [–99…+99]
Int. to B (LFO2 AMS Int. to B) [–99…+99]
■ 4.1–4c: UTILITY
☞ “Write Program” (1.1–1c), “Copy Oscillator,” “Swap
Oscillator” (2.1–1d)
4.1–5: EG
(Filter1 EG)
Here you can make settings for the EG that will produce
time-varying changes in the cutoff frequency of filters 1A
and 1B.
The depth of the effect that these settings will have on the fil-
ter 1 cutoff frequency is determined by “Filter EG” (4.1–2b).
4.1–5a: Filter1 EG
Specifies the time-varying change produced by the filter 1 EG.
L (Level):
The result will depend on the filter that was selected in
“Type (Filter Type)” (4.1–1a). For example with the Low
Pass Resonance
filter, positive (+) values of “Int. to A” (4.1–
2b) will cause the tone to be brightened by positive (+) lev-
els
, and darkened by negative (–) levels.
S (Start Level) [–99…+99]
Specifies the change in cutoff frequency at the time of note-
on.
A (Attack Level) [–99…+99]
Specifies the change in cutoff frequency after the attack time
has elapsed.
B (Break Point Level) [–99…+99]
Specifies the change in cutoff frequency after the decay time
has elapsed.
S (Sustain Level) [–99…+99]
Specifies the change in cutoff frequency that will be main-
tained from after the slope time has elapsed until note-off
occurs.
R (Release Level) [–99…+99]
Specifies the change in cutoff frequency that will occur when
the release time has elapsed.
T (Time):
These parameters specify the time over which each change
will occur.
A (Attack Time) [00…99]
Specifies the time over which the level will change from
note-on until the attack level is reached.
D (Decay Time) [00…99]
Specifies the time over which the level will change from the
attack level to the break point level.
S (Slope Time) [00…99]
Specifies the time over which the level will change after the
decay time has elapsed until the sustain level is reached.
R (Release Time) [00…99]
Specifies the time over which the level will change after
note-on occurs until the release level is reached.
4.1–5b: Level Mod. (Level Modulation)
These settings let you use alternate modulation to control
the “L (Level)” parameters of the filter 1 EG.
AMS (Level Mod. AMS) [Off, (KT, EXT)]
Indicates the source that will control the “L (Level)” parame-
ters of the filter 1 EG (
☞ p.222 “AMS List”).
I (AMS Intensity) [–99…+99]
Specifies the depth and direction of the effect that “AMS
(Level Mod. AMS)” will have.
For example, if “AMS (Level Mod. AMS)” is Velocity, and
you set “S (AMS SW Start),” “A (AMS SW Attack)” and “B
(AMS SW Break)” to + and set “I (AMS Intensity)” to a posi-
tive (+) value
, the EG levels will rise as you play more
strongly. If “Intensity” is set to a negative (–) values, the EG
levels will fall as you play more strongly.
With a setting of 0, the levels specified by “Filter 1 EG” (4.1–
5a) will be used.
4.1–5a
4.1–5b
4.1–5d 4.1–5c
Note-on
Note-off
Attack
Time
Start
Level
Decay
Time Release
Time
Release
Level
Attack Level
The specified
cutoff
frequency
Sustain Level
Time
Break
Point
Level
Slope
Time