Reshaping chroma key, Applying chroma key secondary color suppression – Grass Valley Kayenne K-Frame v.7.0 User Manual
Page 89

KAYENNE K-FRAME — User Manual
89
Setting Up a Chroma Key
5.
Check the final results with
Show Key
off and the chroma keyer in normal
mode (
FG Only
turned off). Note that incorrect adjustments can create a
hard, noisy key.
6.
If the chroma key now looks good, you are done. If dark edges are
present, there may be too much primary
Luma
suppression or
Clip Hi
or
Clip Low
may be set improperly. If adjusting these parameters fails to
solve the problem, you should consider activating the Reshape feature.
Reshaping Chroma Key
Reshape is useful when shading variations exists in the backing color. A
better alternative, if time permits, is to adjust the lighting on the set to even
out the backing color. This may improve the key so that Reshape is not
needed. Reshape helps with backing color suppression at the expense of a
harder looking key with more noticeable edge artifacts.A drawback of
Reshape is loss of detail in the keyed edge. For example, smoke and hair in
the foreground will probably be lost.
1.
Touch the
Reshape
button to activate this feature.
2.
Set primary
Luma
suppression to 0.
3.
You can now readjust the
Clip Hi
and
Clip Low
controls if necessary to fine
tune the key as described above.
4.
When
Reshape
is on, key resizing and positioning also become available
to clean up the key edges.
•
Size
narrows the key signal and can remove much of the blue or
green edge on the foreground subject.
•
Position
moves the key signal left and right, and can be used to
reduce a color edge along only one side of the foreground.
Applying Chroma Key Secondary Color Suppression
Secondary color suppression is intended to improve the color of translu-
cent areas (e.g., glass or smoke) or fine detail near the edge of a foreground
subject (e.g., hair). These areas can be take on some of the backing color.
Much less secondary suppression will be needed than is used for primary
suppression, because the foreground color is only partially corrupted by
the backing color. Because there is a mixture of backing color and fore-
ground color, the secondary suppression Hue and the direction (Angle)
will be different from primary suppression. Primary suppression removes
the backing color, while secondary suppression corrects the color in trans-
lucent areas.