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Reshaping chroma key, Applying chroma key secondary color suppression – Grass Valley Kayenne K-Frame v.7.0 User Manual

Page 89

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KAYENNE K-FRAME — User Manual

89

Setting Up a Chroma Key

5.

Check the final results with

Show Key

off and the chroma keyer in normal

mode (

FG Only

turned off). Note that incorrect adjustments can create a

hard, noisy key.

6.

If the chroma key now looks good, you are done. If dark edges are
present, there may be too much primary

Luma

suppression or

Clip Hi

or

Clip Low

may be set improperly. If adjusting these parameters fails to

solve the problem, you should consider activating the Reshape feature.

Reshaping Chroma Key

Reshape is useful when shading variations exists in the backing color. A
better alternative, if time permits, is to adjust the lighting on the set to even
out the backing color. This may improve the key so that Reshape is not
needed. Reshape helps with backing color suppression at the expense of a
harder looking key with more noticeable edge artifacts.A drawback of
Reshape is loss of detail in the keyed edge. For example, smoke and hair in
the foreground will probably be lost.

1.

Touch the

Reshape

button to activate this feature.

2.

Set primary

Luma

suppression to 0.

3.

You can now readjust the

Clip Hi

and

Clip Low

controls if necessary to fine

tune the key as described above.

4.

When

Reshape

is on, key resizing and positioning also become available

to clean up the key edges.

Size

narrows the key signal and can remove much of the blue or

green edge on the foreground subject.

Position

moves the key signal left and right, and can be used to

reduce a color edge along only one side of the foreground.

Applying Chroma Key Secondary Color Suppression

Secondary color suppression is intended to improve the color of translu-
cent areas (e.g., glass or smoke) or fine detail near the edge of a foreground
subject (e.g., hair). These areas can be take on some of the backing color.
Much less secondary suppression will be needed than is used for primary
suppression, because the foreground color is only partially corrupted by
the backing color. Because there is a mixture of backing color and fore-
ground color, the secondary suppression Hue and the direction (Angle)
will be different from primary suppression. Primary suppression removes
the backing color, while secondary suppression corrects the color in trans-
lucent areas.