Adobe Premiere Pro CC v.7.xx - Manual (Page 547)

HSL category
Normal
Dissolve
Darken
Multiply
Color Burn
Linear Burn
Darker Color
Linear Dodge (Add)
Lighten
Screen
Color Dodge
Linear Dodge (Add)
Lighter Color
Hue, Saturation, Color, Luminosity. These blend modes transfer one or more of the components of the HSL representation of color
(hue, saturation, and luminosity) from the underlying color to the result color.
Blending mode descriptions
In the following descriptions, these terms are used:
The source color is the color of the layer to which the blend mode is applied.
The underlying color is the color of the composited layers below the source layer in the Timeline panel.
The result color is the output of the blending operation; the color of the composite.
The result color is the source color. This mode ignores the underlying color. Normal is the default mode.
The result color for each pixel is either the source color or the underlying color. The probability that the result color is the source color
depends on the opacity of the source. If opacity of the source is 100%, then the result color is the source color. If opacity of the source is 0%,
then the result color is the underlying color.
Each result color channel value is the lower (darker) of the source color channel value and the corresponding underlying color channel
value.
For each color channel, multiplies source color channel value with underlying color channel value and divides by maximum value for 8-
bpc, 16-bpc, or 32-bpc pixels, depending on the color depth of the project. The result color is never brighter than the original. If either input color
is black, the result color is black. If either input color is white, the result color is the other input color. This blend mode simulates drawing with
multiple marking pens on paper or placing multiple gels in front of a light. When blending with a color other than black or white, each layer or paint
stroke with this blend mode results in a darker color.
The result color is a darkening of the source color to reflect the underlying layer color by increasing the contrast. Pure white in the
original layer does not change the underlying color.
The result color is a darkening of the source color to reflect the underlying color. Pure white produces no change.
Each result pixel is the color of darker of the source color value and the corresponding underlying color value. Darker Color is
similar to Darken, but Darker Color does not operate on individual color channels.
Each result color channel value is the sum of the corresponding color channel values of the source color and underlying
color. The result color is never darker than either input color.
Each result color channel value is the higher (lighter) of the source color channel value and the corresponding underlying color channel
value.
Multiplies the complements of the channel values, and then takes the complement of the result. The result color is never darker than
either input color. Using the Screen mode is similar to projecting multiple photographic slides simultaneously onto a single screen.
The result color is a lightening of the source color to reflect the underlying layer color by decreasing the contrast. If the source color
is pure black, the result color is the underlying color.
The result color is a lightening of the source color to reflect the underlying color by increasing the brightness. If the source
color is pure black, the result color is the underlying color.
Each result pixel is the color of lighter of the source color value and the corresponding underlying color value. Lighter Color is
similar to Lighten, but Lighter Color does not operate on individual color channels.
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