Adobe Premiere Pro CC v.7.xx - Manual (Page 24)

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to this feature.
When Linked Selection is turned on, clicking a linked clip in the Timeline automatically selects all the associated tracks. For example, if you click
the video part of a linked A/V clip, the audio is automatically selected.
When Linked Selection is turned off, only the single track item that you click is selected, and not all the associated tracks.
You can temporarily override a toggle state by pressing Alt (Win) or Opt (Mac) while selecting the track. For example, if Linked Selection is turned
on, and you press Alt (Win) or Opt (Mac) while selecting a linked clip, only the single track that you click is selected.
Reveal in Finder from Timeline
This feature lets you select a sequence clip and locate its linked media file on disk.
The Reveal in Explorer (Win) or Reveal In Finder (Mac OS) command is available in the clip context menu. When you choose this command for a
selected clip, the Finder or Explorer folder containing the clip's linked media file is opened and the selected file is brought to the front.
Default start timecode preference
Premiere Pro lets you change the start time of sequences from 00:00:00:00 to a start time of your choice. You can set the specified start time as
the default start time.
In the Timeline panel menu, select Start Time. In the Start Time dialog, enter the start time, and select Set As Default For Future Sequences. The
start time that you enter will be the default start time for all new sequences.
Drag and preview files in Source Monitor
You can now preview files more easily by just dragging the files from a Finder (Mac OS) or Explorer (Win) window directly into the Source monitor.
The preview is similar to previewing clips from the Media Browser before importing them into the project.
A new project is created for the clips that you drag into the Source monitor; the clips are not automatically imported into the current open project.
Match Frame enhancements
The Match Frame feature now lets you match frames from the Source monitor to the source files of a sequence. With this enhancement, you don't
have to first open the sequence in the Timeline and match frames from there.
For a Multicamera sequence, Match Frame first opens the selected camera source clip in the Source monitor. If either regular sequences or
multicamera sequences are nested, additional Match Source Frame commands open all source sequences until the correct source file is opened.
For example, the Match Frame command first opens the multicamera source sequence in the Source monitor. The next use of the Match Frame
command opens the original source camera clip for the selected angle in the Source monitor.
When the Program monitor is in Multicamera mode, the lowest targeted track is displayed in the monitor. In this mode, the rule to "Match
Frame From" is reversed, and the lowest track is used. To override this behavior, select a clip on the desired track to match frame from.
Easily identify offline clips from Timeline
In previous versions of Premiere Pro, an offline clip appeared in red in the Timeline only on expanding the track. Now, all offline clips appear in
red, even without expanding the track. This enhancement lets you easily locate offline clips from the Timeline.
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