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Final cut pro composite modes – Adobe Premiere Pro CC v.7.xx User Manual

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Premiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Final Cut Pro source projects. Additionally,
Premiere Pro converts some Final Cut Pro effects and transitions according to the following tables:

Table 1. Conversion of Final Cut Pro video effects

Final Cut Pro effect

Premiere Pro effect

Crop

Crop

Eight-Point Garbage Matte

Eight-Point Garbage Matte

Four-Point Garbage Matte

Four-Point Garbage Matte

Gaussian Blur (provided the channel selection in Final Cut Pro is
Alpha+RGB.)

Gaussian Blur

Luma Key

Luma Key

Three-Way Color Corrector

Three-Way Color Corrector

Table 2. Conversion of Final Cut Pro video transitions

Final Cut Pro transition

Premiere Pro transition

Dip To White

Dip To White

Dip to [color]

Dip To Black

Edge Wipe transitions

Wipe, with the wipe direction rounded to the closest of the eight
Premiere Pro supported directions.

Other video transitions

Cross Dissolve

Table 3. Conversion of Final Cut Pro audio effects

Final Cut Pro audio effect

Premiere Pro audio effect

Audio level values and keyframes

Audio clip volume values and keyframes

Audio pan values and keyframes

Track pan values and keyframes

Low Pass Filter

Lowpass

High Pass Filter

Highpass

Band Pass Filter

Bandpass

Table 4. Conversion of Final Cut Pro audio transitions

Final Cut Pro audio transition

Premiere Pro audio transition

Cross Fade (0 dB)

Constant Gain

Cross Fade (+3 dB)

Constant Power

Other transitions

Constant Power

Final Cut Pro composite modes

Premiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Final Cut Pro source projects. Premiere Pro
converts Final Cut Pro composite modes according to the following table:

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