Apple Color 1.5 - Manual (Page 357)

• When outputting 2K and 4K Cineon and DPX image sequences, Pan & Scan
transformations are processed within Color along with your color corrections when
rendering the output media.
• If your project uses 4K native RED QuickTime media, then Pan & Scan transformations
are processed within Color, whether you’re rendering DPX/Cineon image sequences
for film output, or QuickTime media to send back to Final Cut Pro. Projects using 2K
native RED QuickTime media work similarly to other projects using QuickTime clips.
Motion Tab Keyframes Are Preserved In Roundtrips
If any clips are animated using Scale, Rotate, Center, or Aspect Ratio parameter keyframes
in Final Cut Pro, these keyframes do not appear and are not editable in Color, but they
are preserved and reappear when you send your project back to Final Cut Pro.
If a clip has Motion tab keyframes from Final Cut Pro, it appears in Color with the
geometry of the last keyframe that is applied to the clip. If necessary, you can reset the
geometry room to see the entire clip while you make corrections in Color, since this will
have no effect on the keyframes being internally preserved and returned to Final Cut Pro.
Working with the Pan & Scan Tab
You can transform shots in your program using two sets of controls. To the left, onscreen
controls appear within the image preview area, while to the right, numeric parameters
mirror these adjustments.
357 Chapter 15 The Geometry Room