Apple Color 1.0 - Manual (Page 45)

Chapter 2 Color Correction Workflows 45
Reconforming Online Media in a Film-to-Tape Workflow
If you’re working on a project that was shot on film, but will be mastered on video, it
must be transferred from film to tape using a telecine (telecined) prior to being
captured and edited in Final Cut Pro. At that point, the rest of the offline and online
edit is identical to any other tape-based format.
Here’s a more detailed explanation of the offline-to-online portion of this workflow.
Step 1: Shoot your film
Shoot the project as you would any other film project.
Step 2: Telecine the dailies
After the film has been shot, process and telecine the dailies to a video format
appropriate for your workflow.
XML
Online
Media
Color Final
Cut Pro
Send to
Color
Camera Negative
Transferred Video Media
Telecine
Offline
and Online
Edits
Output
Final
Master
XML
New Color
Corrected
Media
Final
Effects and
Output
Final
Cut Pro
Send to
Final Cut Pro
Render Color
Correction
Media
Data