Apple Color 1.0 User Manual
Page 354
354
Index
March 26, 2007
Ceiling IRE 100
Channel data
Chroma (Chrominance) 31
Chroma levels 330
Chroma Limit 101
Chroma scope 151
Chroma subsampling 25
Chromaticity
Cineon files 87
Cineon sequences
Clamp node 251
Codecs
compatible for output 86
compatible third-party 85
compatible with Color 84
settings 98
tips for exporting with 87
Color
additional Web-based information 10
adjusting with curves 197
broadcast safe 332
color bars 332
limitations in the application 37
swatches 218
Color application documentation 10
Color balance 14, 165
adjusting shadows, midtones, and highlights 183
controls 179–182
overlap 187
Color balance controls
and control surfaces 182
managing overlap 188
Color Balance wheel 180
Color bars
about 329
and Y’CbCr rendering 332
described 329
color bars 332
Color calibration
Color cast
as a creative look 182
defined 179
Color contrast
Color correction
basics of 13
film versus video 18
goals 13
importing from another project 89
projects shot on film 17, 22
scene-to-scene 14
second telecine pass 20
specific elements 15
tape-to-tape 18, 20
telecines 22
traditional methods 18
when transferring film 17
and interlaced shots 247
bin 236
how to make 236
interface 235
keyframing 287
Node view 236
noodles 236
saving favorite effects 248
Color FX room 36
Color grading 18
Color interface
adjusting for best monitoring 115
Colorist field 98
Color node 257
Color round trip 47
Color Setup Guide 10
Color targets 153
Color timing 18
Complementary colors 33
Composite Limit 101
Conforming
Conform negative 19
Connecting nodes 238–239
Constant keyframe interpolation 290
Contrast 28–29, 165, 330
adjusting with curves 193
controls 166
expanding and reducing 175
how it affects color balance 178
master controls 204
ratio 167
shadows, midtones, and highlights 168
Shadow slider 168
sliders and control surfaces 167
Control points
adding 192
adding to shapes 305
adjusting 192
editing 191
removing 193
Controls