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10 – monitoring, Control room monitoring, Control room outputs – Teac DM-24 User Manual

Page 73: Control room signal selection, Control room outputs control room signal selection

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TASCAM DM-24 Reference Manual

73

10 – Monitoring

The DM-24 contains a sophisticated monitoring sys-
tem which allows different mixes to be set up in the
control room and the studio, as well as an integral
talkback microphone, lineup oscillator, etc.

Control room monitoring

The control room (CR) monitoring section, which
also includes two stereo headphone jacks, is located
to the right of the stereo meters.

Control room outputs

As might be expected, the control-room output sig-
nals are always output from the balanced 1/4” analog

CR (BAL)

connectors (+4 dBu)

6

.

However, if the digital outputs are not being used for
any other purpose, the

I/O OUTPUT

screen may be

used to assign the control room outputs to either the

DIGITAL 1

or

DIGITAL 2

sets of outputs.

From the I/O screen, use the third soft key to bring up
the output selection screen.

Move the cursor to either of the selection boxes
opposite the

DIGITAL OUT1

or

DIGITAL OUT2

selector.

Turn the dial until

C.ROOM

is shown, and press

ENTER

.

The control room signal will now be output from the
selected digital outputs.

NOTE

The signal is sent from both the XLR-type jack and the
RCA jack simultaneously. The output format (AES/EBU
or SPDIF) is set using the
DIGITAL display FORMAT sub-
screen.

The level of the signal sent from the analog outputs is
adjusted by the

CR

control.

The level of the signal sent from the headphone jacks
(both headphone jacks together) is adjusted using the

PHONES

control.

Control room signal selection

There are four signal selection keys for the control
room signal.

These are:

STEREO

,

SEL 1 (AUX 1-2)

,

SEL 2 (D IN

1)

,

SEL 3 (2 TR IN)

.

The first of these,

STEREO

, is hard-wired. That is,

when this option is selected, the control room outputs
as selected above will always output the stereo buss
signal.

The other three keys are “soft”, and may be patched
internally to output signals other than those given as
the defaults (in parentheses on the panel).

The default settings may be useful when used in the
following way, however:

When recording, aux sends 1 and 2 may be used as
the studio cue mix, leaving aux sends 3 through 6 for
effect use, etc. By using the

SEL 1

key set to the

default

AUX 1-2

setting, it is therefore possible for

the control room monitor to echo the signal sent to
the studio.

When mixing, the mastering devices (connected to
the stereo buss) may be digital or analog. The

SEL 2

key is by default set to the first digital input (whether
this is the XLR-type connector or the RCA jack is
determined in the channel

IN

screens of the

I/O

setup)

and can therefore be used for monitoring the replay
from the digital 2-track mastering device.

The

SEL 3

key is by default assigned to the analog 2-

track inputs

9

. These are typically used to monitor