2 pull-down, 3:3:2 pull-down, A b c d – Apple Cinema Tools 4 User Manual
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3:2 Pull-Down
3:2 pull-down is the same type employed by a telecine. See
for more information. Because 3:2 pull-down is the conventionally supported pull-down
pattern for NTSC devices, you need to use this pull-down pattern to record to an NTSC
device, such as an SD television, an MPEG-2 encoding device, or a high-end finishing
system.
Before (23.98 fps)
A
B
A
B B
C
C
D D D
A B C D A
D A B C D A B C D A B C D A B C D
B C
A A B B B C C D D D A A B B B C C D D D A A B B
C C D D D A A B
B
B
C
C
D D D A
B
A
B B
C
C
D D
B
D
A B C D
A A B B B C C D D D
Field
1
Field
2
Field
1
Field
2
Field
1
Field
2
Field
1
Field
2
Field
1
Field
2
3:2 Pull-Down
After (29.97 fps)
One second
2:3:3:2 Pull-Down
Another type of pull-down you can use is 2:3:3:2 pull-down. As with 3:2 pull-down, the
“3” in the pattern represents three fields, where one redundant field is added to the
original two fields of a frame. See
Working with 2:3:3:2 Pull-Down
for details about this
pattern and the advantages it provides.
Although 3:2 pull-down is the conventionally supported pattern for NTSC devices, you
may want to use 2:3:3:2 pull-down to output video that you can record to tape and yet
later convert back to 23.98 fps with the advantages of 2:3:3:2 removal (the ability to
remove the pull-down without the recompression and re-creation of any frames).
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Chapter 13
Working with 24p Video and 24 fps EDLs