Removing 2:3:3:2 or 2:3:2:3 pull-down with, Cinema tools, Removing 2:3:3:2 or 2:3:2:3 pull-down – Apple Cinema Tools 4 User Manual
Page 220: With cinema tools, Removing, 3:3:2 or 2:3:2:3 pull-down with cinema tools
At some point after removing the 2:3:3:2 pull-down, you may want to output the video
with 2:3:3:2 pull-down added back to recapture it with the camera. Or, for NTSC broadcast
or distribution, you may want to apply the more conventionally supported 3:2 pull-down.
You can output 24p video in either of these pull-down patterns. See
You Can Apply to 23.98 fps Video
for more information.
To remove the pull-down in Final Cut Pro after capturing
1
In Final Cut Pro, select the clips or sequence.
2
Choose Tools > Remove Advanced Pulldown.
Removing 2:3:3:2 or 2:3:2:3 Pull-Down with Cinema Tools
Clips captured from digital video camcorders that shoot 24p, such as the Panasonic
AG-DVX100 camcorder, have the pull-down pattern (also called cadence) information
embedded in a way that Cinema Tools can read. If Cinema Tools detects this cadence
information when you use the Reverse Telecine feature, the Automated Reverse Telecine
dialog appears. It’s a simplified version of the regular Reverse Telecine dialog.
Note: The Reverse Telecine feature cannot be used with temporally compressed video
such as MPEG-2-format video.
You can use automated reverse telecine to remove the pull-down either from one clip
at a time or from a group (batch) of clips.
To use automated reverse telecine to remove the pull-down in a single clip
1
Choose File > Open Clip, then select the clip in the dialog.
2
In the Clip window, click Reverse Telecine.
3
Choose a frame rate from the “Conform to” pop-up menu:
• 23.98: This frame rate is useful if you want to later use the Final Cut Pro pull-down
feature that lets you output 23.98 fps video as 29.97 fps video. (See
You Can Apply to 23.98 fps Video
for more information.)
• 24.0: You may want to conform and edit the clips at this rate if you plan to include
them in a project that contains other clips that are exactly 24 fps.
Note: If the audio and video are contained in the same clip, and you choose 24.0 from
this pop-up menu, the Reverse Telecine feature increases the audio speed by a very
small percentage so that it is in sync with 24 fps instead of 23.98 fps.
Choose a frame rate from
the pop-up menu.
220
Chapter 13
Working with 24p Video and 24 fps EDLs