KORG PA4X 76 User Manual
Page 296
292| Customizing, recording and editing the Styles and Pads
The order of the Chord Variations inside the SMF is not relevant. They can be
freely placed inside the SMF.
Below, you can find a screenshot of a test file created in Steinberg Cubase,
just as an example of how a SMF separated by markers can look like.
Considering analogies between actual workstations, it will not look much
different in other applications like Digital Performer, Logic Pro, Pro Tools or
Sonar.
This manual is related to the following products:
See also other documents in the category KORG Musical Instruments:
- K61 (73 pages)
- GT-4 (2 pages)
- ESX-1 (108 pages)
- Ax3000b (68 pages)
- GT-120 (1 page)
- D1200 (8 pages)
- TP-2 (4 pages)
- BA-40 (2 pages)
- SP 250 (51 pages)
- SP 250 (184 pages)
- D12 (2 pages)
- AX10g (2 pages)
- D1200mkii (8 pages)
- CX-3 (40 pages)
- C-520 (298 pages)
- MS2000 (6 pages)
- M3 (32 pages)
- M3 (237 pages)
- OASYS musical instruments (241 pages)
- EASYSTART AX3B (3 pages)
- C-320 (189 pages)
- AX10A (39 pages)
- KONTROL49 (4 pages)
- TRITON Extreme music workstation/sampler (148 pages)
- Pa800 (9 pages)
- EMX-1 (99 pages)
- TRITON STUDIO music workstation (305 pages)
- microX (134 pages)
- TouchView Trinity (160 pages)
- Ax3000g (67 pages)
- Electribe EM-1 (56 pages)
- METROGNOME MM-1 (2 pages)
- Kaossilator Dynamic Phrase Synthesizer (4 pages)
- Kp3 (6 pages)
- D8 (76 pages)
- sampler (167 pages)
- KPC-1 EFG (95 pages)
- AX10B (40 pages)
- TRITON Musical Instrument (91 pages)
- D3200 (200 pages)
- X50 (132 pages)
- KM-2 (35 pages)
- PXR4 (99 pages)
- DT-10 (3 pages)
- D888 (52 pages)