Section 14.6 virtual sets – NewTek TriCaster TC1 (2 RU) User Manual
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Applying this effect immediately causes the display on the
Program
monitor to update, showing the content
of the alpha channel for input
A
(
I
nput
B
is ignored).
The current input
A
source is keyed, so the effect displays black on
Program
out wherever transparency exists in the foreground,
white for full opacity, and shades of gray for in-between blends.
With this in mind, it won’t be
hard to guess what
Show Inverse Alpha
does. In contrast, the
Show Color
effect in this group passes the full
color output of
LiveMatte
prior
to being multiplied by the alpha
channel.
(It might seem as though this would be identical to the original
source, but you may notice subtle differences. This is because of the
Spill Suppression
processing.)
Let’s look at another of the effects in the
Utilities
group,
Color Correction
. Replace the current effect with the
Color Correction
effect
. You’ll notice that M/E 1’s o
utput on the
Program
monitor is now rendered in
monochromatic grayscale. Drag the T-Bar down to affect the
M/E’
s color saturation. Click the mouse on the
Position button
below the T-Bar and drag to modify
Hue
.
Finally, the
Make Legal
effect ensures the output of an M/E is within broadcast signal tolerances.
3D
The
Anaglyph (Red, Cyan)
effect found in the
3D
category is a special purpose tool.
The anaglyph method of displaying 3D imagery depends on stereo video inputs that
are filtered and composited into a single output stream.
In turn, this combined stream resolves into 3D when viewed through special glasses
with red and cyan (blue-green) filters for left and right eyes respectively.
TriCaster provides easy access to anaglyphic technology by means of the
Anaglyph
effect. The effect combines
2 video inputs selected in an M/E. 3D output can then be switched easily like any other source. No complex
configuration steps or tricky control surface operations are required.
P
HOTOSHOP
B
LEND
The effects in the Photoshop Blend folder apply well-known blending modes to the A layer in the M/E as
these are blended with the B layer. The resulting compositions can serve many purposes, such as adding
animated ‘bokeh’ style overlays using DDR
clips or adding interest to still overlays such as vignettes or titles.
SECTION 14.6
VIRTUAL SETS
We’ve considered the
Default
and
Utility
effects. Let’s move on to a more glamorous species, the
virtual set
,
presented as
LiveSet™
effects.
FIGURE 181
FIGURE 182