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Section 10.3 workspace presets, Section 10.4 scopes – NewTek TriCaster TC1 (2 RU) User Manual

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To put this another way, the viewport layout of the

Live Desktop’s

multiview pane re-arranges itself as

required to make optimal use of the space available.

For example, when tabbed

modules (such as the

DDRs

) at the bottom of the

Live Desktop

are fully expanded,

the

Program

and

Preview

viewports above are stacked one above the other. On the other hand, if the tabbed

modules are minimized, these viewports are side by side.

SECTION 10.3

WORKSPACE PRESETS

The basic layout of all multiview monitoring areas is established by assigning a

Workspace

preset to the

screen. To access these presets, move the mouse pointer over the left-hand end of the

Dashboard

at the top

of the

Live Desktop

to reveal the

Workspaces

menu.

Four presets, labeled

A-D

, are provided for each connected

Multiview

screen. Select a preset and assign a layout to it using the

Load Default

menu point. Continue to customize the display options

for the viewpo

rts, and recall the entire setup at a moment’s notice by

reselecting it. (To reset a preset, select it again and reload the default
layout.)

Each viewport in any layout offers diverse input or output source
options, as discussed in Section 10.5. The settings you select for
individual monitors will be retained in the current

Workspace

preset.

Let’s further consider an important

Workspace

layout option -

Scopes

.

Note: The Display Settings option in the Workspaces menu lets you
choose the Resolution of connected monitors, and apply Proc Amp
settings to them. Select the native resolution of external display
devices for best results. Changing Resolution can cause frames to be
dropped, so modifications during live production are discouraged.

SECTION 10.4

SCOPES

FIGURE 121

Scopes represent a very useful monitoring option, providing

Waveform

and

Vectorscope

displays.

Among other things, these help you to judge

Proc Amp

and

LiveMatte

settings (see Appendix C, Video

Calibration).

FIGURE 120