Native Instruments MASCHINE+ Standalone Production and Performance Instrument - Manual (Page 95)

10.6.6. Page 6: Velocity / Modwheel
Sampler parameters – page 6 of 6: VELOCITY DESTINATION and MODWHEEL DESTINATION.
VELOCITY DESTINATION
This section allows you to use the input velocity in order to modulate various parameters.
Parameter Modulation Destination
Start Start parameter of the PITCH / GATE section on the Pitch / Envelope page
(page 2). Positive values shift the Sample start position later in time as you play
harder, negative values shift it closer to the beginning of the Sample as you play
harder.
Tip: a typical example for this parameter is setting it so that the initial attack
transient of a snare drum is heard only at high velocity values. This makes it
sound “snappier” when you play hard, and “muffled” or muted when you play
softly.
Decay Decay parameter of the AMPLITUDE ENVELOPE section on the Pitch /
Envelope page (page 2).
Cutoff Cutoff parameter of the FILTER section (with filter types LP2 , HP2 , BP2 only) on
the FX / Filter page (page 3).
Volume This allows you to modulate the volume, which is what velocity normally is used
for.
MODWHEEL DESTINATION
Here you can determine how incoming MIDI data sent by the Modulation Wheel affects various
parameters.
Parameter Modulation Destination
Start Start parameter of the PITCH / GATE section on the Pitch / Envelope page
(page 2).
Cutoff Cutoff parameter of the FILTER section (with filter types LP2 , HP2 , BP2 only) on
the FX / Filter page (page 3).
LFO Depth Use this knob to adjust how much the Modulation Wheel affects the depth of
the LFO modulation (for all targets) defined on the LFO page (page 5).
Pan Pan parameter on the Audio page of the Sound’s Output properties (see
Configuring the Main Output of Sounds and Groups for more information).
WORKING WITH PLUG-INS
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