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6 strength, 7 offset, Section 13.3 spill suppression – NewTek TriCaster 2 Elite (3 RU) User Manual

Page 160: Section 13.4 compositing, Section 13.5 fine tuning

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13.2.6

STRENGTH

LiveMatteULRA uses a different method to define its matte, basically discriminating between background
and foreground regions. Raising the

Strength

value can loosely be thought of as more aggressively defining

imagery as background. As with ‘tolerance’ in the classic LiveMatte, the lowest effective value is what you’re

after with this setting.

13.2.7

OFFSET

The

Offset

setting is unique to LiveMatte Ultra, and can be thought of as boosting the opacity level of partially

transparent areas in your scene. Raise this value judiciously to solve problems with transparency in

‘borderline’ foreground regions.

SECTION 13.3

SPILL SUPPRESSION

The term

‘Spill’

refers to key color unintentionally reflected or ‘spilled’ onto the foreground subject. For

example, a little green spill often appears on the shoulders of someone in a greenscreen shot. Both variants
of LiveMatte offer

Spill Suppression

, with

FIGURE 178

The

Spill Suppression

controls let you remove key color spill in your scene by reducing the amount of that

color in the foreground, where it doesn’t belong. The net result is that

the impression of spill color is

eliminated, or at least reduced to the point where it is not objectionable. Use the

Tolerance

and

Smoothness

controls (or, for LiveMatte Ultra, the

Strength

setting) in the

Spill Suppression

grop in similar fashion to the

controls by the same name discussed earlier. Endeavor to subdue spill without

overdoing

it, which can

sometimes produce an unwanted gray fringe around foreground edges.

SECTION 13.4

COMPOSITING

When you enable (and configure)

LiveMatte

for an input, the onscreen monitor for that input shows the

source keyed over a checkerboard pattern (when the Checkerboard option is selected in

Overlays

for the

monitor.)

If you select the (

LiveMatte

-enabled) input as

Input A

in an

M/E

tab in

LiveMatte

mode

, the keyed source is

overlaid on sources in lower input rows. You will see the composite result when the output is assigned to
either the

PGM

or

Preview

row.

SECTION 13.5

FINE TUNING

You’ll find

LiveMatte

easy to configure with a little experimentation

but a few handy workflow tips follow

below. You may find it useful initially to turn

Smoothness

off or nearly so. Likewise begin with a low value