Roland Fantom-S88 - Manual (Page 46)

46
Creating a Patch
Changing How a Tone Is Sounded
(TMT)
You can use the force with which keys are played, or MIDI messages
to control the way each Tone is played. This is referred to as the Tone
Mix Table (TMT).
fig.03-14_50
For details on the setting, refer to “How to Make the Patch
Settings” (p. 39).
Structure Type 1 & 2, 3 & 4
Determines how tone 1 and 2, or tone 3 and 4 are connected.
Value: 1–10
The following 10 different Types of combination are available.
fig.Struct-01
With this type, tones 1 and 2 (or 3 and 4) are independent. Use this
type when you want to preserve PCM sounds or create and combine
sounds for each tone.
fig.Struct-02
This type stacks the two filters together to intensify the
characteristics of the filters. The TVA for tone 1 (or 3) controls the
volume balance between the two tones.
fig.Struct-03
This type mixes the sound of tone 1 (3) and tone 2 (4), applies a filter,
and then applies a booster to distort the waveform.
fig.Struct-04
This type applies a booster to distort the waveform, and then
combines the two filters. The TVA for tone 1 (or 3) controls the
volume balance between the two tones and adjusts booster level.
fig.Struct-05
This type uses a ring modulator to create new overtones, and
combines the two filters. The tone 1 (3) TVA will control the volume
balance of the two tones, adjusting the depth of ring modulator.
fig.Struct-06
This type uses a ring modulator to create new overtones, and in
addition mixes in the sound of tone 2 (4) and stacks the two filters.
Since the ring-modulated sound can be mixed with tone 2 (4), tone 1
(3) TVA can adjust the amount of the ring-modulated sound.
fig.Struct-07
This type applies a filter to tone 1 (3) and ring-modulates it with tone
2 (4) to create new overtones.
fig.Struct-08
This type sends the filtered tone 1 (3) and tone 2 (4) through a ring
modulator, and then mixes in the sound of tone 2 (4) and applies a
filter to the result.
fig.Struct-09
This type passes the filtered sound of each tone through a ring
modulator to create new overtones. The tone 1 (3) TVA will control
the volume balance of the two tones, adjusting the depth of ring
modulator.
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
TYPE 1
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
TYPE 2
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
B
TYPE 3
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
B
TYPE 4
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 5
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 6
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 7
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 8
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 9