Document Outline

• Copyright
• Disclaimer
• Improvement Requests
• Regional Contacts
• User Manuals on EVS Website
  • Part 1: General Workspace
  • Part 2: Logging
  • Part 3: Browsing
  • Part 4: Ingest
  • Part 5: Playout – Control Panel
  • Part 6: Playout – Playlist Panel
  • Part7: Playout – AB Roll Playlist
  • Part 8: Editing
  • Part 9: Editing
• 1. Introduction
  • 1.1 PURPOSE
  • 1.2 MAIN FEATURES
  • 1.3 LIMITATIONS
  • 1.4 OVERVIEW
    • 1.4.1 Opening IPEdit
    • 1.4.2 Resizing the Main Window
    • 1.4.3 Automatic Lock Timeline Function
      • Display
      • Description
      • Automatic Unlock
    • 1.4.4 IPEdit Outline
    • 1.4.5 Activating a Pane in IPEdit
    • 1.4.6 Player
    • 1.4.7 Browser
    • 1.4.8 Timeline
  • 1.5 ASSIGNING THE SHUTTLEPRO TO IPEDIT
• 2. Browser
  • 2.1 INTRODUCTION
    • 2.1.1 Possible Actions
  • 2.2 SEARCHING FOR MEDIA IN THE BROWSER
    • 2.2.1 General Search and Filtering Features
    • 2.2.2 Multi Camera Timecode Filter
      • Description
      • Filter Based on the Position in the Player
      • Filter Based on the Nowline Position in the Timeline
      • How to Use the Multi Camera Filter
• 3. Player
  • 3.1 OVERVIEW OF THE PLAYER PANE
    • Main Functions
    • Various Areas
  • 3.2 ASSIGNING PLAYER CHANNELS TO IPEDIT
    • 3.2.1 Principle
    • 3.2.2 Display
    • 3.2.3 Automatic PGM Assignment
    • 3.2.4 How to Assign Player Channels Manually to IPEdit
  • 3.3 VIDEO DISPLAY
    • 3.3.1 Purpose
    • 3.3.2 Prerequisites
    • 3.3.3 Activation and Deactivation
    • 3.3.4 How to Associate a Video Display to the Player
      • Prerequisite
      • Automatic Association
      • How to Associate Manually a Video Display to the Player in IPEdit
  • 3.4 DISPLAY ON THE TIMELINE ENGINE
  • 3.5 LOADED MEDIA INFORMATION
    • 3.5.1 Lock Button
      • Description
      • Control from the Remote Panel
      • Unlock Channels
      • Automatic Lock Timeline Function
        • Display
        • Description
    • 3.5.2 Loaded Media Field
      • Description
      • Shortcut to the Previously Loaded Media
    • 3.5.3 LSM ID Field
      • Description
    • 3.5.4 Timecode Field
      • Description
      • Display Mode
    • 3.5.5 Train Name Field
    • 3.5.6 Duration Field
      • When a Clip is Loaded
      • When a Record Train is Loaded
    • 3.5.7 Jog Bar
  • 3.6 TRANSPORT & CREATION FUNCTIONS
    • 3.6.1 Purpose
    • 3.6.2 Button Description
    • 3.6.3 How to Create a Clip Based on the Loaded Media
  • 3.7 TIMELINE EDITING BUTTONS
    • 3.7.1 Purpose
    • 3.7.2 Insert Function
    • 3.7.3 Overwrite Function
    • 3.7.4 Marking the Media to be Added to the Timeline
    • 3.7.5 Match Frame Replace
  • 3.8 PLAYER TRACK SELECTION
    • 3.8.1 Purpose
    • 3.8.2 Tracks Selected When the Media is Added to the Timeline
    • 3.8.3 Possible Audio Configurations
      • Clips with 4 audio mono channels
      • Clips with 8 audio mono channels
    • 3.8.4 Example
  • 3.9 AUDIO MONITORING
    • 3.9.1 Definition
    • 3.9.2 How to Access the Audio Monitoring Parameters
    • 3.9.3 Adjusting the Audio Level Output to the Headphones
      • Where?
      • How?
    • 3.9.4 Assigning the Audio Channels to the Headphones
      • Where?
      • How?
    • 3.9.5 Saving the Audio Monitoring Parameters in a Template
      • Where?
      • How to Create a Template
      • How to Load a Template
      • How to Delete a Template
  • 3.10 LOADING MEDIA ONTO THE PLAYER
    • 3.10.1 General Information
      • Prerequisite
      • Loadable Media
      • Limitations
    • 3.10.2 How to Load Media from the Browser into the Player
    • 3.10.3 Ways to Load Clips
    • 3.10.4 Ways to Load Trains
    • 3.10.5 Ways to Load Logs
    • 3.10.6 Changing the Camera Angle
      • Clip Loaded on the Player
      • Record Train Loaded on the Player
• 4. Timeline
  • 4.1 OVERVIEW OF THE TIMELINE ELEMENTS
    • 4.1.1 Timeline Name and IDs
      • Timeline Name
        • Characteristics
        • Contextual Menu from Field
        • Modifying the Timeline Name
      • Timeline VarID
      • LSM ID
        • Description
        • Example
    • 4.1.2 Timeline Display
      • Description
      • Main Objects in the Timeline Display
      • Timecode Bar
      • Nowline
      • Mark IN /OUT Points
      • Timeline Element
        • Information Displayed
        • Growing Clips
        • Background Colour
      • Lasso Selection Area
    • 4.1.3 Edit Command Bar and General Editing Functions
      • Overview
      • Undo
      • Redo
      • Insert/Overwrite Global Mode
      • Set Timeline Mark IN
      • Set Timeline Mark OUT
      • Mark Current Element Selection
      • Clear Timeline Marks
      • Delete Between Mark IN and Mark OUT
      • Select Elements From (or to) Nowline
      • Add Edit at Nowline Position
      • Extend
      • Extend Slow/Fast
      • Match Frame in Player
      • Clear Mark IN
      • Clear Mark OUT
    • 4.1.4 Transition Effects Bar
      • Add Transition Effect
      • Remove Transition Effect
      • Apply Video/Audio Transition Effect to New Elements
    • 4.1.5 Locator Buttons
    • 4.1.6 Transport Command Bar and Transport-Related Functions
      • Overview
      • Recue
      • Pause
      • Play
      • Start Replace
      • Create Clip From Timeline
      • Audio Monitoring
      • ON AIR
      • Play Forward (Multispeed)
      • Fast Rewind (Multispeed)
    • 4.1.7 Timecode and Duration Fields
      • Mark IN TC
      • Mark OUT TC
      • Duration between Mark IN and Mark OUT
      • Nowline TC
      • Timeline Duration
    • 4.1.8 Timeline Track Selection Buttons
      • Description
      • Keyboard Shortcuts
    • 4.1.9 Locator/GPI Selection Buttons
    • 4.1.10 Scale Bar and Move Bar
      • Scale Bar
      • Move Bar
    • 4.1.11 Audio Volume Automation, Swap & Mute Buttons
      • Volume Automation Mode
      • Swap / Mute Zoom Mode
      • Mute Button
  • 4.2 TIMELINE MANAGEMENT
    • 4.2.1 Contextual Menu on the Timeline Name Field
    • 4.2.2 Creating a New Timeline
      • How to Create a New Timeline
      • Fields in the Create Timeline Window
        • Left Pane
        • Metadata Pane
    • 4.2.3 Converting a Playlist Into a Timeline
      • Principles
      • Conversion Methods
      • Make a Timeline Online Window
      • Conversion Results and Limitations
        • Preserved and Translated Features
        • Unconverted Features
        • Element Conversion to Blank Elements
        • Audio Channel Assignment
    • 4.2.4 Opening a Timeline
      • Introduction
        • Prerequisites
        • Conditions to Fulfill
      • Opening a Timeline by a Drag-and-Drop Action
      • How to Open a Timeline via the LSM ID Field
    • 4.2.5 Copying and Moving a Timeline
      • Introduction
      • Fields in the Copy Timeline Window
      • How to Copy or Move a Timeline
      • Errors in Move or Copy Processes
    • 4.2.6 Transferring Timelines
      • Destination Types
      • Transfer Types
      • How to Send a Timeline to a Target, Bin or Nearline
  • 4.3 TIMELINE EDITING
    • 4.3.1 Overview of Editing Actions
    • 4.3.2 Overview of Slow Motion Editing
      • Slow Motion Features
      • Super Slow Motion Clips
    • 4.3.3 A/V Material Available for Editing in the Timeline
    • 4.3.4 Growing Clips in Timelines
    • 4.3.5 Contextual Menu on the Timeline Element
  • 4.4 MARKING AND SELECTING TECHNIQUES
    • 4.4.1 Moving the Nowline in the Timeline
    • 4.4.2 Adding Mark IN and Mark OUT points
    • 4.4.3 Selecting and Deselecting Timeline Elements
      • Selection By Clicking
      • Selection With the Lasso
        • Selection
        • /
        • Result
      • Selection Based on the Nowline Position
      • Selection Based on the Recorded Camera Angle
  • 4.5 PLACING MEDIA IN THE TIMELINE
    • 4.5.1 Applicable Principles
      • Minimum Clip Duration
      • Inserted Material Depending on Element Types
      • Availability of Clip Material
      • Availability of Record Train Material
      • Criteria for Element Insertion
      • Name of Timeline Elements
    • 4.5.2 Editing Modes From the Player
      • Insert
        • Example of an Insert Action
      • Overwrite
        • Example of an Overwrite Action
      • Match Frame Replace
    • 4.5.3 Adding Media in Insert or Overwrite via the Keyboard, ShuttlePRO or Player Buttons
      • Procedure in the Player
      • Procedure with the ShuttlePRO
      • Track Selection Applied to the Timeline Element
      • Position Applied to the Timeline Element
        • Principle
        • Standard Insert/Overwrite Action
        • 3-Point Edit
        • 4-Point Edit
        • Possible Cases
    • 4.5.4 Adding Media in Insert or Overwrite Using Drag-and-Drop Actions
      • Drag Media from the Player in the Timeline
      • Drag Media from the Browser in the Timeline
      • Dragging Media From other IPDirector Modules
      • Track Selection Applied to the Timeline Element
        • General Principles
        • Possible Cases
        • Automatic Audio Swap in Drag-and-Drop Actions
      • Position Applied to the Timeline Element
        • Principle
        • Possible Cases
    • 4.5.5 Adding Media Using the Match Frame Replace
      • Overview
      • General Rules
        • Track Selection
        • Available Material
      • Replacing Timeline Elements From IN to OUT Points
        • Description
        • Procedure
      • Replacing Timeline Elements From Nowline to OUT Points
        • Description
        • Procedure
      • Replacing Timeline Parts From Mark IN to Mark OUT
        • Description
        • Procedure
    • 4.5.6 Changing the Camera Angle of Timeline Elements
      • Introduction
      • Procedure
    • 4.5.7 Appending a Timeline to the Open Timeline
      • Introduction
      • Procedure
  • 4.6 DELETING ELEMENTS FROM THE TIMELINE
    • 4.6.1 Introduction
    • 4.6.2 Lifting Timeline Elements or Parts of a Timeline
      • Principle
      • How to Lift Elements From a Timeline
        • First Method
        • Second Method
      • How to Lift Media Between the Mark IN and Mark OUT
    • 4.6.3 Extracting Timeline Elements or Parts of a Timeline
      • Principle
      • How to Extract Elements From a Timeline
        • First Method
        • Second Method
      • How to Extract Media Between the Mark IN and Mark OUT
  • 4.7 MOVING ELEMENTS WITHIN THE TIMELINE
    • 4.7.1 Introduction
      • Move in Insert or Overwrite Mode
      • Possible Selections and Moves
      • Magnet Effect
    • 4.7.2 Possible Element Selections and Move Types
      • Possible Element Selections
      • Possible Move Types
    • 4.7.3 How to Move Elements By Drag-and-Drop
    • 4.7.4 How to Move Elements Using the Numeric Pad
    • 4.7.5 How to Move Elements Using the Arrows
  • 4.8 EXTENDING TIMELINE ELEMENTS
    • 4.8.1 Introduction
      • Definition
      • Extend versus Extend Slow/Fast
      • Limits for the Standard Extend
      • Example of Extend
        • After an Extend Action
        • After an Extend Slow/Fast Action
    • 4.8.2 Overview of the Extend Actions
    • 4.8.3 Extending in Insert or Overwrite Mode
      • Before
      • After Extend IN in Insert Mode
      • After Extend IN in Overwrite Mode
    • 4.8.4 Extending OUT in Insert or Overwrite Mode
      • Before
      • After Extend OUT in Insert Mode
      • After Extend OUT in Overwrite Mode
    • 4.8.5 Extending In or OUT in Insert or Overwrite Mode
      • Principles
    • 4.8.6 How to Extend IN or Extend IN Slow/Fast a Timeline Element
    • 4.8.7 How to Extend OUT or Extend OUT Slow/Fast a Timeline Element
  • 4.9 TRIMMING ELEMENTS IN THE TIMELINE
    • 4.9.1 Introduction
      • Definition
      • Example
        • Before the Trim Action
        • During the Trim Action
        • After the Trim Action
    • 4.9.2 Overview of Trim Modes and Trim Actions
    • 4.9.3 Activating and Deactivating the Trim Modes
      • How to Activate the Trim Mode
        • With the Mouse
        • With the Keyboard
        • With the ShuttlePRO
      • How to Exclude or Include Tracks
      • How to Change the Trim Mode
      • How to Activate the Trim Mode on the Next/Previous Transition
        • Principles
        • Procedures
      • How to Leave the Trim Mode
        • With the Mouse
        • With the Keyboard
        • With the ShuttlePRO
    • 4.9.4 Possible Trim Actions
      • Trim Left and Right (Roll)
        • Example: Shift to the left
      • Trim Left in Insert Mode
        • Example: Shift to the left
      • Trim Left in Overwrite Mode
        • Example: Shift to the right
      • Trim Right in Insert Mode
        • Example: Shift to the left
      • Trim Right in Overwrite Mode
        • Example: Shift to the right
    • 4.9.5 Trimming Timeline Elements
      • How to Trim an Element in the User Interface
      • How to Trim an Element Using the Keyboard Shortcuts
      • How to Trim an Element Using the ShuttlePRO
  • 4.10 SLIPPING ELEMENTS IN THE TIMELINE
    • 4.10.1 Overview
      • Definition
      • Limits
      • Methods
      • Example
        • Element Selected for Slipping Action
        • During the Slipping Action
        • Final Situation
    • 4.10.2 Activating and Deactivating the Slip Mode
      • How to Activate the Slip Mode
      • How to Leave the Slip Mode
        • With the Mouse
        • With the Keyboard
    • 4.10.3 How to Slip an Element Using the Mouse
    • 4.10.4 How to Slip an Element Using the Keyboard
    • 4.10.5 How to Slip an Element Using the ShuttlePRO
    • 4.10.6 How to Slip an Element by Setting a New Timecode
  • 4.11 SLIDING ELEMENTS IN THE TIMELINE
    • 4.11.1 Overview
      • Definition
      • Limits
      • Restrictions With Slow Motion
      • Example
        • Initial Situation
        • Element Selected for Slipping Action
        • During the Slide Action
        • Final Situation
    • 4.11.2 Activating and Deactivating the Slide Mode
      • How to Activate the Slide Mode
      • How to Leave the Slide Mode
        • With the Mouse
        • With the Keyboard
    • 4.11.3 How to Slide an Element Using the Mouse
    • 4.11.4 How to Slide an Element Using the Keyboard
    • 4.11.5 How to Slide an Element Using the ShuttlePRO
  • 4.12 TRANSITION EFFECTS
    • 4.12.1 Introduction
      • Principles and Limitations
      • Automatic Versus Manual Transition Effects
      • Components to Specify in the Transition Definition
    • 4.12.2 Selection of Transitions and Tracks on Which to Apply the Effects
      • Transition Selection
      • Track Selection
    • 4.12.3 Effect Types
      • Video Effects
      • Audio Effects
    • 4.12.4 Effect Duration
    • 4.12.5 Effect Positions
    • 4.12.6 Add/ Modify Transition Effect Window
      • Overview
      • Where are the Transition Effects Applied?
        • Elements from the Same Media Source
        • Contiguous Elements from Different Media Sources
      • Tracks Group Box
      • Transition Effect Group Box
        • Default Settings and Settings Defined in this Group Box
        • Field Description
      • Video Transition GPI
        • About Video Transition GPIs
        • How to Define a GPI OUT Linked to a Video Transition
    • 4.12.7 Transition Effect Settings
      • How to Define Default Settings for Manual Transition Effects
    • 4.12.8 Adding Transition Effects
      • How to Add Effects To Elements of the Same Clip
      • How to Add Effects To Contiguous Elements
      • How to Add Effects Automatically to New Elements
    • 4.12.9 Modifying Transition Effects
    • 4.12.10 Deleting Transition Effects
      • How to Delete Transition Effects on Elements of the Same Clip
      • How to Delete Transition Effects on Contiguous Elements
  • 4.13 AUDIO SWAPS AND MUTES
    • 4.13.1 Introduction to the Swap/Mute Function
      • Default Audio Track and Channel Allocation
      • Swap/Mute Function
    • 4.13.2 Overview of the Ways to Define Swaps and Mutes
      • Automatic Swap Definition
        • What is it applied to?
        • Where is it defined?
      • Automatic Mute Definition
        • What is it applied to?
        • Where is it defined?
      • Manual Swap/Mute Definition in the General Timeline Display
        • What is it applied to?
        • Where is it defined?
      • Manual Swap/Mute Definition in the Swap/Mute Zoom Display
        • What is it applied to?
        • Where is it defined?
    • 4.13.3 Automatic Swap Definition
      • Description
      • Example
        • Initial Situation
        • Automatic Swap Action
        • Result
    • 4.13.4 Automatic Mute Definition
      • Description
    • 4.13.5 Manual Swap Definition in the General Display Mode
      • Description
      • Example
        • Initial Situation
        • Manual Swap Action
        • Result
    • 4.13.6 Manual Swap Definition in the Swap/Mute Zoom Mode
      • Description
      • Example
        • Initial Situation
        • Manual Swap Action
        • Result
    • 4.13.7 Swap/Mute Configuration Window
      • Window Variations
      • How to Access the Swap/Mute Configuration Window
        • From the General Display of a Timeline
        • From the Swap/Mute Zoom Display of a Track
      • Swap Sources / Outputs
        • Description
        • Uses
        • Summary Information
      • Additional Options
        • Apply between mark IN and mark OUT
        • Overwrite existing swap/mute
        • Swap Mix Duration
    • 4.13.8 Adding Audio Swaps
      • How to Add a Swap or Mute to one or More Elements of an Audio Track
      • How to Add a Swap or Mute From and to Given Points of a Track
    • 4.13.9 Modifying Audio Swaps
      • How to Modify a Swap or Mute on one or More Elements of an Audio Track
      • How to Modify a Swap or Mute Defined From and to Given Points of a Track
    • 4.13.10 Deleting Audio Swaps
      • How to Delete a Swap or Mute on one or More Elements of an Audio Track
      • How to Delete a Swap or Mute Defined From and to Given Points of a Track
  • 4.14 ADJUSTING THE AUDIO VOLUME ON THE TIMELINE
    • 4.14.1 Introduction
    • 4.14.2 Accessing and Leaving the Volume Automation Mode
    • 4.14.3 Overview of the Possible Actions
    • 4.14.4 Audio Volume Automation Panel
      • Audio Track Name
      • Global Increase/Decrease Buttons
      • O DB Line
      • Maximum / Minimum Graphic Volume Range
      • Display of the Audio Track Volume
    • 4.14.5 How to Change the Graphic Volume Range
    • 4.14.6 Preliminary Actions Before Any Increase or Decrease on the Volume Automation Curve
      • Loading the Track in the Volume Automation Panel
      • Adapting the Graphic Volume Range
    • 4.14.7 Increasing or Decreasing the Global Volume of a Track
      • How to Increase the Global Volume of a Track
      • How to Decrease the Global Volume
      • Example: Increasing the Global Volume of a Track
    • 4.14.8 Increasing or Decreasing the Volume on Part of a Track
      • How to Decrease or Increase the Volume on a Part of a Track
      • Example: Increase the Volume on a Part of a Track
        • Before
        • During
        • After
    • 4.14.9 Modifying the Volume On a Given Position of a Track
      • Example: Add a Volume Automation Point
    • 4.14.10 Resetting the Volume
      • How to Reset the Volume on an Track
      • How to Reset the Volume on a Part of a Track
      • How to Reset the Volume on an Audio Element
  • 4.15 CONSOLIDATING A PART OF A TIMELINE
    • 4.15.1 ‘Replace’ Versus ‘Create Clip From Timeline’
      • Replace Function
      • Create Clip From Timeline Function
    • 4.15.2 Process Overview
      • Replace
      • Create Clip From Timeline
    • 4.15.3 Assigning a Recorder Channel to IPEdit
      • Principle
      • How to Assign a Recorder To Ingest the Replace Clip Into the Timeline
    • 4.15.4 Replace Settings
      • Default Replace Settings
      • Specific Replace Settings
      • Pre-Roll and Post-Roll
        • Introduction
        • Defining a Pre-Roll and Post-Roll
      • Video/Audio Delay Compensation
        • Introduction
      • GPI Settings on Mark IN and Mark OUT
        • About Replace GPIs
        • About GPI Offsets
        • How to Define a GPI OUT for Mark IN and Mark OUT points
      • Audio Swap Input Matrix
        • Introduction
        • Example
        • How to Define the Audio Channel Input Matrix
      • Audio Group Track Mute
        • Introduction
    • 4.15.5 How To Render Part of a Timeline Using the Replace Function
    • 4.15.6 How To Consolidate a Part of a Timeline Using the Clip Creation From Timeline Function
    • 4.15.7 How To Cancel a Consolidation Process
  • 4.16 USING LOCATORS IN IPEDIT
    • 4.16.1 General Information on Locators
      • Definition
      • /
      • Characteristics
    • 4.16.2 Adding Locators
    • 4.16.3 Activating the Locators
    • 4.16.4 How to Select/Deselect Locators
    • 4.16.5 How to Move a Locator Within the Timeline Element
    • 4.16.6 How to Modify Locators
      • How to Delete a Locator
  • 4.17 USING GPIS IN IPEDIT
    • 4.17.1 General Information on GPIs
      • Basics
      • GPI Use in IPEdit
      • GPI and Slow Motion
      • Overview of GPI Settings
      • GPI Types in IPEdit
    • 4.17.2 Replace GPIs
      • Purpose
      • More about Replace GPIS
    • 4.17.3 Video Transition Effect GPIs
      • Purpose
      • More about Replace GPIS
    • 4.17.4 Clip GPIs
      • Purpose
      • How to Add a GPI to an Element
      • GPI Display
      • How to Select/Deselect a Clip GPI
      • How to Move a Clip GPI
      • How to Modify a Clip GPI
      • How to Delete a Clip GPI
  • 4.18 USING MACRO COMMANDS IN IPEDIT
    • 4.18.1 Overview
      • What is a macro command?
      • Which functions are available via macro commands?
      • Where can a macro command be defined?
      • What are the limitations?
    • 4.18.2 How to Define or Modify a Macro Command
    • 4.18.3 Calling a Macro Command From the Timeline
  • 4.19 IPEDIT SETTINGS
    • 4.19.1 General
      • Clip Information Display
      • Transition Effects
      • Volume automation Range
      • Control Track Initial Timecode
      • Growing Clip Display Option
      • Video Preview Display Option
    • 4.19.2 Macro Commands
    • 4.19.3 Replace Settings
      • Standard Keyboards
      • Shortcuts for Transport Controls on Specific Keyboards
• IPDirector_userman_Part9_5.9_ENG_110124_web.pdf
  • Copyright
  • Disclaimer
  • Improvement Requests
  • Regional Contacts
  • User Manuals on EVS Website
    • Part 1: General Workspace
    • Part 2: Logging
    • Part 3: Browsing
    • Part 4: Ingest
    • Part 5: Playout – Control Panel
    • Part 6: Playout – Playlist Panel
    • Part7: Playout – AB Roll Playlist
    • Part 8: Editing
    • Part 9: Editing
  • 1. Edit While Playout
    • 1.1 INTRODUCTION
      • 1.1.1 General Description
        • Purpose
        • User Interface
      • 1.1.2 Limitations
      • 1.1.3 Activating the Edit While Playout Mode
        • Prerequisite
        • Activation
        • Result
        • Deactivation
    • 1.2 MASTER/SLAVE REDUNDANCY
      • 1.2.1 Introduction
        • Purpose
        • Terminology
      • 1.2.2 Requirements for Master/Slave Redundancy
      • 1.2.3 Redundancy Status in IPEdit
    • 1.3 EDIT WHILE PLAYOUT CONTROL PANEL
      • 1.3.1 Introduction
      • 1.3.2 TLO Preview Bar
      • 1.3.3 Lock Button
      • 1.3.4 Transport Command Bar
        • TLO Recue Button
        • TLO Pause Button
        • TLO Play Button
      • 1.3.5 Master/Slave Synchronization Buttons
        • Sync TLE Button
        • TLO PlaySync Button
      • 1.3.6 Speed Nudging Buttons
        • TLO Nudge Decrease Button
        • TLO Nudge Increase Button
      • Locator Buttons
      • 1.3.8 Field and Duration Information
        • TLO On-Air Nowline Position
        • TLO Effective Duration
        • TLO Remaining Commit Duration
      • 1.3.9 TLO Commit Button
        • Other Commit Actions
    • 1.4 TIMELINE DISPLAY IN EDIT WHILE PLAYOUT MODE
      • 1.4.1 Overview
      • 1.4.2 TLO and TLE Nowlines
      • 1.4.3 TLO Security Zone
      • 1.4.4 TLO Remaining Commit Duration
      • 1.4.5 Uncommitted Changes
    • 1.5 COMMIT ACTIONS IN EDIT WHILE PLAYOUT MODE
      • 1.5.1 Committing the TLE
        • Before Commit
        • After Commit
      • 1.5.2 Overwrite the Edit Timeline with the On-Air Timeline
    • 1.6 EDIT WHILE PLAYOUT MODE IN A MASTER/SLAVE CONFIGURATION
      • 1.6.1 Connection Between Master and Slave EVS Server
      • 1.6.2 How to Synchronize the Timeline on the Slave IPEdit
      • 1.6.3 Working Process in a Master/Slave Configuration
    • 1.7 EDIT WHILE PLAYOUT SETTINGS
      • 1.7.1 Accessing the EWP Settings
      • 1.7.2 Remaining Commit Threshold Warning