Boss Audio Systems GS-10 User Manual

Page 29

Chapter 4 Introduction to Effects and Parameters

Section 4

Type

This sets the type of the guitar preamp.

* When the type is set to CONCERT 810, SESSION, BASS

360, T.E., B-MAN, FLIP TOP, Bass Clean, Bass Crunch,
Bass HiGain, or Mic Preamp set OUTPUT SELECT (p. 16)
as shown below to match the GS-10 to the type of amp to be
connected.

When connecting to an audio amp or similar equipment:

Line/Phones

When connecting to a guitar amp:

Combo Amp or Combo Return

When connecting to a bass amp:

Stack Amp or Stack Return

JC-120

This is the sound of the Roland JC-120.

Jazz Combo

This is a sound suited to jazz.

Full Range

This is a sound with flat response. Good for
acoustic guitar

Warm Clean

This gives a mellow, clean sound.

Clean TWIN

This models a Fender Twin Reverb.

Pro Crunch

This models a Fender Pro Reverb.

Tweed

This models a Fender Bassman 4 x 10”
Combo.

Crunch

This is a crunch sound that can produce
natural distortion.

Blues

This is a sound suited to blues.

Wild Crunch

This is a crunch sound with wild distor-
tion.

VO Drive

This models the drive sound of a VOX AC-
30TB.

VO Lead

This models the lead sound of the VOX
AC-30TB.

MATCH Drive

This models the sound input to left input
on a Matchless D/C-30.

Fat MATCH

This models the sound of a MATCHLESS
with a modified high gain.

BG Lead

This models the lead sound of the MESA/
Boogie combo amp.

BG Drive

This models a MESA/Boogie with TREBLE
SHIFT SW on.

BG Rhythm

This models the rhythm channel of a
MESA/Boogie.

Smooth Drive

This is a smooth drive sound.

MS1959 (

This models the sound input to Input I on a
Marshall 1959.

MS1959 (

II)

This models the sound input to Input II on
a Marshall 1959.

MS1959 (

I+II)

This models the sound of a Marshall 1959
with Inputs I and II connected in parallel.

MS HiGain

This models the sound of a Marshall with a
modified midrange boost.

Power Stack

This provides the sound of a stack amp
with active type tone circuitry.

R-FIER Red

This models the lead channel of a MESA/
Boogie Dual Rectifier.

R-FIER Orng

This models the rhythm channel of a
MESA/Boogie Dual Rectifier.

R-FIER Vint

This models a MESA/Boogie Rectifier with
VINTAGE SW on.

T-AMP Clean

This models a Hughes & Kettner Triamp
AMP1.

T-AMP Crunch

This models a Hughes & Kettner Triamp
AMP2.

T-AMP Lead

This models a Hughes & Kettner Triamp
AMP3.

SLDN

This models a Soldano SLO-100.

Drive Stack

This is a drive sound with high gain.

Lead Stack

This is a lead sound with high gain.

5150 Drive

This models the lead channel of a Peavey
EVH 5150.

Metal Stack

This is a drive sound suited to metal.

Metal Lead

This is a lead sound suited to metal.

CONCERT 810

This models a Ampeg SVT.

SESSION

This models a SWR SM-400.

BASS 360

This models a acoustic 360.

T.E.

This models a Trace Elliot AH600SMX.

B-MAN

This models a Fender Bassman100.

FLIP TOP

This models a Ampeg B-15.

Bass Clean

This clean sound is great for use with bass
guitars.

Bass Crunch

This is a crunch sound with natural distor-
tion that sounds great with bass guitars.

Bass HiGain

This is a high-gain sound suitable for use
with bass guitars.

Mic Preamp

Preamp suitable for vocals.

Custom 1

Custom amp 1

Custom 2

Custom amp 2

Custom 3

Custom amp 3