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Copying patch parameters (patch prm copy), 60 creating a patch (patch mode) – Roland RS-70 User Manual

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60

Creating a patch (Patch mode)

Patch categories

On the RS-70, a patch you edit can be named and saved in the
desired category of sounds (

User Patch

). Saving an edited patch in

the appropriate category will make it easier for you to find the patch
when needed. This will also let you use arpeggiator settings that are
appropriate for your user patch.

fig.r03-03_40

Convenient functions for patch

editing (Patch Utility)

Patch Utility provides various functions that you will find
convenient when editing patches, such as copying or initializing a
patch.

Copying patch parameters

(PATCH PRM COPY)

The settings of any patch can be copied to the currently selected
patch. By making good use of this function, you can edit more
efficiently. The following five parameters can be copied.

• UPPER TONE:

Copy the settings of the upper tone.

• LOWER TONE:

Copy the settings of the lower tone.

• MFX:

Copy the multi-effect settings.

• CHORUS:

Copy the chorus settings.

• REVERB:

Copy the reverb settings.

Copying the UPPER TONE or LOWER TONE

1.

Press [PATCH] so it lights and you are in Patch mode.

Select the copy-destination patch.

2.

Press [UTILITY].

3.

Use PAGE/CURSOR [

]/[

] to select “1:PATCH PRM

COPY.”

4.

Press [ENTER].

5.

Use VALUE [-]/[+] to select “UPPER TONE” or “LOWER

TONE.”

fig.r03-08_40

6.

Press PAGE/CURSOR [

].

Use VALUE [-]/[+] to select the copy-source patch.

You can select from patches Pf01–U128 (user patches).

fig.r03-09_40

7.

Press PAGE/CURSOR [

].

Use VALUE [-]/[+] to specify whether the data is to be copied to
the upper tone or the lower tone of the currently selected patch.

fig.r03-10_40

8.

Press [ENTER].

The upper tone or lower tone settings will be copied to the
currently selected patch.

When the data has been copied, the display will indicate
“COMPLETED.” This ends the procedure.

Category
Group

Category

Contents

PIANO (Pf) PNO

AC.PIANO

Acoustic Piano

EP

EL.PIANO

Electric Piano

KBD &
ORGAN
(Ky)

KEY

KEYBOARDS

Other Keyboards
(Clav, Harpsichord, etc.)

BEL

BELL

Bell, Bell Pad

MLT

MALLET

Mallet

ORG

ORGAN

Electric and Church Or-
gan

ACD

ACCORDION

Accordion

HRM HARMONICA

Harmonica, Blues Harp

GUITAR
(Gt)

AGT

AC.GUITAR

Acoustic Guitar

EGT

EL.GUITAR

Electric Guitar

DGT

DIST.GUITAR

Distortion Guitar

ORCH (Oc) STR

STRINGS

Strings

ORC

ORCHESTRA

Orchestra Ensemble

HIT

HIT&STAB

Orchestra Hit, Hit

WND WIND

Winds (Oboe, Clarinet,
etc.)

FLT

FLUTE

Flute, Piccolo

WORLD
(Wr)

PLK

PLUCKED

Plucked (Harp, etc.)

ETH

ETHNIC

Other Ethnic

FRT

FRETTED

Fretted Inst (Mandolin,
etc.)

BRASS (Br) BRS

AC.BRASS

Acoustic Brass

SBR

SYNTH.BRASS

Synth Brass

SAX

SAX

Sax

VOCAL &
PAD (Vo)

BPD

BRIGHT PAD

Bright Pad Synth

SPD

SOFT PAD

Soft Pad Synth

VOX

VOX

Vox, Choir

SYNTH
(Sy)

HLD

HARD LEAD

Hard Synth Lead

SLD

SOFT LEAD

Soft Synth Lead

TEK

TECHNO SYNTH Techno Synth

PLS

PULSATING

Pulsating Synth

FX

SYNTH FX

Synth FX (Noise, etc.)

SYN

OTHER SYNTH

Poly Synth

BASS (Bs)

BS

BASS

Acoustic & Electric Bass

SBS

SYNTH.BASS

Synth Bass

RHYTHM
& SFX (Rh)

DRM DRUMS

Rhythm Set

PRC

PERCUSSION

Percussion

SFX

SOUND FX

Sound FX

BTS

BEAT&GROOVE Beat and Groove

CMB

COMBINATION

Other Patches

Category

RS-70_e3.book 60 ページ 2003年6月18日 水曜日 午後12時54分