Copying patch parameters (patch prm copy), 60 creating a patch (patch mode) – Roland RS-70 User Manual
Page 60
60
Creating a patch (Patch mode)
Patch categories
On the RS-70, a patch you edit can be named and saved in the
desired category of sounds (
User Patch
). Saving an edited patch in
the appropriate category will make it easier for you to find the patch
when needed. This will also let you use arpeggiator settings that are
appropriate for your user patch.
fig.r03-03_40
Convenient functions for patch
editing (Patch Utility)
Patch Utility provides various functions that you will find
convenient when editing patches, such as copying or initializing a
patch.
Copying patch parameters
(PATCH PRM COPY)
The settings of any patch can be copied to the currently selected
patch. By making good use of this function, you can edit more
efficiently. The following five parameters can be copied.
• UPPER TONE:
Copy the settings of the upper tone.
• LOWER TONE:
Copy the settings of the lower tone.
• MFX:
Copy the multi-effect settings.
• CHORUS:
Copy the chorus settings.
• REVERB:
Copy the reverb settings.
Copying the UPPER TONE or LOWER TONE
1.
Press [PATCH] so it lights and you are in Patch mode.
Select the copy-destination patch.
2.
Press [UTILITY].
3.
Use PAGE/CURSOR [
]/[
] to select “1:PATCH PRM
COPY.”
4.
Press [ENTER].
5.
Use VALUE [-]/[+] to select “UPPER TONE” or “LOWER
TONE.”
fig.r03-08_40
6.
Press PAGE/CURSOR [
].
Use VALUE [-]/[+] to select the copy-source patch.
You can select from patches Pf01–U128 (user patches).
fig.r03-09_40
7.
Press PAGE/CURSOR [
].
Use VALUE [-]/[+] to specify whether the data is to be copied to
the upper tone or the lower tone of the currently selected patch.
fig.r03-10_40
8.
Press [ENTER].
The upper tone or lower tone settings will be copied to the
currently selected patch.
When the data has been copied, the display will indicate
“COMPLETED.” This ends the procedure.
Category
Group
Category
Contents
PIANO (Pf) PNO
AC.PIANO
Acoustic Piano
EP
EL.PIANO
Electric Piano
KBD &
ORGAN
(Ky)
KEY
KEYBOARDS
Other Keyboards
(Clav, Harpsichord, etc.)
BEL
BELL
Bell, Bell Pad
MLT
MALLET
Mallet
ORG
ORGAN
Electric and Church Or-
gan
ACD
ACCORDION
Accordion
HRM HARMONICA
Harmonica, Blues Harp
GUITAR
(Gt)
AGT
AC.GUITAR
Acoustic Guitar
EGT
EL.GUITAR
Electric Guitar
DGT
DIST.GUITAR
Distortion Guitar
ORCH (Oc) STR
STRINGS
Strings
ORC
ORCHESTRA
Orchestra Ensemble
HIT
HIT&STAB
Orchestra Hit, Hit
WND WIND
Winds (Oboe, Clarinet,
etc.)
FLT
FLUTE
Flute, Piccolo
WORLD
(Wr)
PLK
PLUCKED
Plucked (Harp, etc.)
ETH
ETHNIC
Other Ethnic
FRT
FRETTED
Fretted Inst (Mandolin,
etc.)
BRASS (Br) BRS
AC.BRASS
Acoustic Brass
SBR
SYNTH.BRASS
Synth Brass
SAX
SAX
Sax
VOCAL &
PAD (Vo)
BPD
BRIGHT PAD
Bright Pad Synth
SPD
SOFT PAD
Soft Pad Synth
VOX
VOX
Vox, Choir
SYNTH
(Sy)
HLD
HARD LEAD
Hard Synth Lead
SLD
SOFT LEAD
Soft Synth Lead
TEK
TECHNO SYNTH Techno Synth
PLS
PULSATING
Pulsating Synth
FX
SYNTH FX
Synth FX (Noise, etc.)
SYN
OTHER SYNTH
Poly Synth
BASS (Bs)
BS
BASS
Acoustic & Electric Bass
SBS
SYNTH.BASS
Synth Bass
RHYTHM
& SFX (Rh)
DRM DRUMS
Rhythm Set
PRC
PERCUSSION
Percussion
SFX
SOUND FX
Sound FX
BTS
BEAT&GROOVE Beat and Groove
CMB
COMBINATION
Other Patches
Category
RS-70_e3.book 60 ページ 2003年6月18日 水曜日 午後12時54分