Roland RS-70 - Manual (Page 112)

112
Adding effects
note *1
fig.note_MFX1
note *2
fig.note_MFX2
Making chorus settings
Regardless of the mode, only one type of chorus can be used
simultaneously.
There are eight types of chorus. You can select any one of these.
After selecting the Type, you can change the values for each of the
parameters.
Type (Chorus Type)
You can choose from 8 types of chorus.
Value
CHORUS 1–4: General chorus settings. Adds breadth and
fullness to the sound.
FEEDBACK CHORUS: Chorus that produces a flanger-like effect,
creating a soft sound.
FLANGER: This effect produces a rising and falling
sweep reminiscent of a jet airplane.
SHORT DELAY: This is a delay with a short delay time.
SHORT DELAY(FB): This is a delay with a short delay time and
many repeats.
“Chorus Type” provides several preset-like example settings of
the chorus parameters. When you switch types, the other chorus
parameters will change according to the settings of the type you
select. If you intend to edit the other parameters, select a type
first, and then edit the other parameters.
Pre-LPF (Chorus pre-low pass filter)
A low-pass filter can be applied to the sound coming into the chorus
to cut the high-frequency range. Higher values will cut more of the
high frequencies, resulting in a more mellow chorus sound.
Value: 0–7
Level (Chorus Level)
Sets the amount of the chorus sound.
Value: 0–127
Feedback (Chorus Feedback Level)
Sets the level at which the chorus sound is re-input (fed back) into
the chorus. By using feedback, a denser chorus sound can be created.
Higher values result in a greater feedback level.
Value: 0–127
Delay (Chorus Delay Time)
Sets the delay time of the chorus effect.
Value: 0–127
Rate (Chorus Rate)
Sets the speed (frequency) at which the chorus sound is modulated.
Higher values result in faster modulation.
Value: 0–127
Parameter Value Description
Mod Wave TRI, SQR, SIN,
SAW1/ 2 TRI: The sound will be cut by a
triangle wave.
SQR: The sound will be cut by a
square wave.
SIN: The sound will be cut by a
sine wave.
SAW1/2: The sound will be cut
by a sawtooth wave. The teeth in
SAW1 and SAW2 point at oppo-
site directions.
Rate # 0.05–10.00 [Hz],
note *2 Adjusts the frequency (speed) of
the change.
Depth # 0–127 Sets the depth to which the ef-
fect is applied.
Delay Left 0–420 [ms], note
*1 Adjusts the time from the direct
sound until the left delay sound
is heard.
Delay Right 0–420 [ms], note
*1 Adjusts the time from the direct
sound until the right delay
sound is heard.
Dly Feedback -98– +98 [%] Adjusts the proportion (%) of
the delay sound that is fed back
into the effect.
Negative (-) settings will invert
the phase.
Reset OFF, ON This setting determines whether
the period for the pattern is reset
(ON), or not (OFF) when sounds
are played.
While the sequencer is playing,
the period for the pattern is not
reset even if you set this ON.
Level 0–127 Adjusts the output level.
SAW1 SAW2
(Quarter-note triplet), (Dotted eighth note), (Quarter note), (Eighth note),
(Sixteenth note), (Eighth-note triplet), (Dotted sixteenth note),
(Half note), (Half-note triplet), (Dotted quarter note),
(Thirty-second note), (Dotted thirty-second note), (Sixteenth-note triplet),
(Thirty-second-note triplet), (Sixty-fourth note), (Sixty-fourth-note triplet),
(Sixteenth note), (Eighth-note triplet), (Dotted sixteenth note),
(Eighth note), (Dotted eighth note), (Quarter-note triplet),
(Double-note triplet), (Double note) (Dotted whole note),
(Quarter note), (Half-note triplet), (Half note), (Dotted quarter note),
(Whole note), (Dotted half note), (Whole-note triplet),
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