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P.179, Reverse delay, Multi tap delay – Roland Fantom-Xa User Manual

Page 179

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179

Adding Effects

48: 4TAP PAN DELAY

This effect has four delays.

fig.MFX-48a

fig.MFX-48b

Stereo location of each delay

49: MULTI TAP DELAY

This effect provides four delays. Each of the Delay Time parameters
can be set to a note length based on the selected tempo. You can also
set the panning and level of each delay sound.

fig.MFX-49

50: REVERSE DELAY

This is a reverse delay that adds a reversed and delayed sound to the
input sound. A tap delay is connected immediately after the reverse
delay.

fig.MFX-50

Parameter

Value

Explanation

Delay 1–4
Time

0–2600 ms,
note

Adjusts the time until the delay sound
is heard.

Delay 1
Feedback #

-98– +98 %

Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.

HF Damp

200–8000 Hz,
BYPASS

Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.

Delay 1–4
Level

0–127

Volume of each delay

Low Gain

-15– +15 dB

Gain of the low frequency range

High Gain

-15– +15 dB

Gain of the high frequency range

Balance #

D100:0W–
D0:100W

Volume balance between the direct
sound (D) and the delay sound (W)

Level

0–127

Output level

Parameter

Value

Explanation

Delay 1–4
Time

0–2600 ms,
note

Adjusts the time until Delays 1–4 are
heard.

Delay 1
Feedback #

-98– +98 %

Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.

HF Damp

200–8000 Hz,
BYPASS

Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
the high frequencies, set this parameter
to BYPASS.

Delay 1–4
Pan

L64–63R

Stereo location of Delays 1–4

Delay 1–4
Level

0–127

Output level of Delays 1–4

Low Gain

-15– +15 dB

Gain of the low frequency range

High Gain

-15– +15 dB

Gain of the high frequency range

L in

R in

L out

R out

Quadruple Tap Delay

Balance W

Balance D

Balance W

Balance D

Delay 1

Delay 2

Delay 3

Delay 4

Feedback

1

2

3

4

L

R

L in

R in

L out

R out

Multi Tap Delay

Balance W

Balance D

Balance W

Balance D

Delay 1

Delay 3

Delay 4

Delay 2

Feed
back

2-Band

EQ

2-Band

EQ

Balance #

D100:0W–
D0:100W

Volume balance between the direct
sound (D) and the effect sound (W)

Level

0–127

Output level

Parameter

Value

Explanation

Threshold

0–127

Volume at which the reverse
delay will begin to be applied

Rev Delay
Time

0–1300 ms, note

Delay time from when sound
is input into the reverse delay
until the delay sound is heard

Rev Delay
Feedback #

-98– +98%

Proportion of the delay sound
that is to be returned to the in-
put of the reverse delay (nega-
tive values invert the phase)

Rev Delay HF
Damp

200–8000 Hz,
BYPASS

Frequency at which the high-
frequency content of the re-
verse-delayed sound will be
cut (BYPASS: no cut)

Rev Delay Pan

L64–63R

Panning of the reverse delay
sound

Rev Delay
Level

0–127

Volume of the reverse delay
sound

Delay 1 – 3
Time

0–1300 ms, note

Delay time from when sound
is input into the tap delay un-
til the delay sound is heard

Delay 3 Feed-
back #

-98– +98%

Proportion of the delay sound
that is to be returned to the in-
put of the tap delay (negative
values invert the phase)

Delay HF
Damp

200–8000 Hz, BY-
PASS

Frequency at which the low-
frequency content of the tap
delay sound will be cut (BY-
PASS: no cut)

Delay 1 Pan’,
‘Delay 2 Pan

L64–63R

Panning of the tap delay
sounds

Delay 1 Level’,
‘Delay 2 Level

0–127

Volume of the tap delay
sounds

Low Gain

-15– +15 dB

Amount of boost/cut for the
low-frequency range

High Gain

-15– +15 dB

Amount of boost/cut for the
high-frequency range

Balance #

D100:0W–D0:100W

Volume balance of the origi-
nal sound (D) and delay
sound (W)

Level

0–127

Output volume

Parameter

Value

Explanation

Feedback

L in

R in

Rev. Delay

L out

R out

2-Band

EQ

2-Band

EQ

Rev

Delay

D2

D1

D3

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