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P.177, Gate, Long delay – Roland Fantom-Xa User Manual

Page 177: 177 adding effects, Delay

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177

Adding Effects

42: GATE

Cuts the reverb’s delay according to the volume of the sound sent
into the effect. Use this when you want to create an artificial-
sounding decrease in the reverb’s decay.

fig.MFX-42

43: DELAY

This is a stereo delay.

When Feedback Mode is NORMAL:

fig.MFX-43a

When Feedback Mode is CROSS:

fig.MFX-43b

44: LONG DELAY

A delay that provides a long delay time.

fig.MFX-44

Parameter

Value

Explanation

Threshold #

0–127

Volume level at which the gate begins to
close

Mode

GATE,
DUCK

Type of gate

GATE:

The gate will close when the

volume of the original sound decreas-
es, cutting the original sound.

DUCK (Ducking):

The gate will close

when the volume of the original
sound increases, cutting the original
sound.

Attack

0–127

Adjusts the time it takes for the gate to
fully open after being triggered.

Hold

0–127

Adjusts the time it takes for the gate to
start closing after the source sound falls
beneath the Threshold.

Release

0–127

Adjusts the time it takes the gate to fully
close after the hold time.

Balance #

D100:0W–
D0:100W

Volume balance between the direct
sound (D) and the effect sound (W)

Level

0–127

Output level

Parameter

Value

Explanation

Delay Left

0–1300 ms,
note

Adjusts the time until the delay sound is
heard.

Delay Right
Phase Left

NORMAL,
INVERSE

Phase of the delay sound

Phase Right

L in

R in

L out

R out

Gate

Gate

R in

R out

L in

L out

Feedback
Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

EQ

2-Band

EQ

Delay

Delay

R in

R out

L in

L out

Feedback
Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

EQ

2-Band

EQ

Delay

Delay

Feedback
Mode

NORMAL,
CROSS

Selects the way in which delay sound is
fed back into the effect. (See the figures
above.)

Feedback #

-98– +98 %

Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.

HF Damp

200–8000 Hz,
BYPASS

Adjusts the frequency above which sound
fed back to the effect is filtered out. If you
don’t want to filter out any high frequen-
cies, set this parameter to BYPASS.

Low Gain

-15– +15 dB

Gain of the low frequency range

High Gain

-15– +15 dB

Gain of the high frequency range

Balance #

D100:0W–
D0:100W

Volume balance between the direct
sound (D) and the delay sound (W)

Level

0–127

Output level

Parameter

Value

Explanation

Delay Time

0–2600 ms, note

Delay time from when the
original sound is heard to
when the delay sound is
heard

Phase

NORMAL, INVERSE

Phase of the delay (NORMAL:
non-inverted, INVERT: in-
verted)

Feedback #

-98– +98%

Proportion of the delay sound
that is to be returned to the in-
put (negative values invert
the phase)

HF Damp

200–8000 Hz,
BYPASS

Frequency at which the high-
frequency content of the de-
layed sound will be cut (BY-
PASS: no cut)

Pan #

L64–63R

Panning of the delay sound

Low Gain

-15– +15 dB

Amount of boost/cut for the
high-frequency range

High Gain

-15– +15 dB

Amount of boost/cut for the
high-frequency range

Balance #

D100:0W–D0:100W

Volume balance of the origi-
nal sound (D) and delay
sound (W)

Level

0–127

Output volume

Parameter

Value

Explanation

L in

R in

L out

R out

2-Band

EQ

Pan R

Pan L

2-Band

EQ

Feedback

Long Delay

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