Roland Fantom-Xa - Manual (Page 177)

177
Adding Effects
42: GATE
Cuts the reverb’s delay according to the volume of the sound sent
into the effect. Use this when you want to create an artificial-
sounding decrease in the reverb’s decay.
fig.MFX-42
43: DELAY
This is a stereo delay.
When Feedback Mode is NORMAL:
fig.MFX-43a
When Feedback Mode is CROSS:
fig.MFX-43b
44: LONG DELAY
A delay that provides a long delay time.
fig.MFX-44
Parameter Value Explanation
Threshold # 0–127 Volume level at which the gate begins to
close
Mode GATE,
DUCK Type of gate
GATE: The gate will close when the
volume of the original sound decreas-
es, cutting the original sound.
DUCK (Ducking): The gate will close
when the volume of the original
sound increases, cutting the original
sound.
Attack 0–127 Adjusts the time it takes for the gate to
fully open after being triggered.
Hold 0–127 Adjusts the time it takes for the gate to
start closing after the source sound falls
beneath the Threshold.
Release 0–127 Adjusts the time it takes the gate to fully
close after the hold time.
Balance # D100:0W–
D0:100W Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output level
Parameter Value Explanation
Delay Left 0–1300 ms,
note Adjusts the time until the delay sound is
heard.
Delay Right
Phase Left
NORMAL,
INVERSE Phase of the delay sound
Phase Right
L in
R in
L out
R out
Gate
Gate
R in R out
L in L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
R in R out
L in L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Feedback
Mode NORMAL,
CROSS Selects the way in which delay sound is
fed back into the effect. (See the figures
above.)
Feedback # -98– +98 % Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS Adjusts the frequency above which sound
fed back to the effect is filtered out. If you
don’t want to filter out any high frequen-
cies, set this parameter to BYPASS.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
D0:100W Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
Parameter Value Explanation
Delay Time 0–2600 ms, note Delay time from when the
original sound is heard to
when the delay sound is
heard
Phase NORMAL, INVERSE Phase of the delay (NORMAL:
non-inverted, INVERT: in-
verted)
Feedback # -98– +98% Proportion of the delay sound
that is to be returned to the in-
put (negative values invert
the phase)
HF Damp 200–8000 Hz,
BYPASS Frequency at which the high-
frequency content of the de-
layed sound will be cut (BY-
PASS: no cut)
Pan # L64–63R Panning of the delay sound
Low Gain -15– +15 dB Amount of boost/cut for the
high-frequency range
High Gain -15– +15 dB Amount of boost/cut for the
high-frequency range
Balance # D100:0W–D0:100W Volume balance of the origi-
nal sound (D) and delay
sound (W)
Level 0–127 Output volume
Parameter Value Explanation
L in
R in
L out
R out
2-Band
EQ
Pan R
Pan L
2-Band
EQ
Feedback
Long Delay
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