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P.176, Compressor, Limiter – Roland Fantom-Xa User Manual

Page 176: Specifications for each speaker type

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176

Adding Effects

39: GUITAR AMP SIMULATOR

This is an effect that simulates the sound of a guitar amplifier.

fig.MFX-39

Specifications for each Speaker Type

The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.

40: COMPRESSOR

Flattens out high levels and boosts low levels, smoothing out
fluctuations in volume.

fig.MFX-40

41: LIMITER

Compresses signals that exceed a specified volume level, preventing
distortion from occurring.

fig.MFX-41

Parameter

Value

Explanation

Pre Amp Sw

OFF, ON

Turns the amp switch on/off.

Pre Amp
Type

JC-120, CLEAN TWIN,
MATCH DRIVE,
BG LEAD, MS1959I,
MS1959II, MS1959I+II,
SLDN LEAD,
METAL5150,
METAL LEAD, OD-1,
OD-2 TURBO,
DISTORTION, FUZZ

Type of guitar amp

Pre Amp
Volume #

0–127

Volume and amount of distor-
tion of the amp

Pre Amp
Master #

0–127

Volume of the entire pre-amp

Pre Amp
Gain

LOW, MIDDLE, HIGH

Amount of pre-amp distortion

Pre Amp
Bass

0–127

Tone of the bass/mid/treble
frequency range
* Middle cannot be set if

“Match Drive” is selected as
the Pre Amp Type.

Pre Amp
Middle
Pre Amp
Treble
Pre Amp
Presence

0–127
(MATCH DRIVE:
-127 - 0)

Tone for the ultra-high fre-
quency range

Pre Amp
Bright

OFF, ON

Turning this “On” produces a
sharper and brighter sound.
* This parameter applies to

the “JC-120,” “Clean Twin,”
and “BG Lead” Pre Amp
Types.

Speaker Sw

OFF, ON

Determines whether the signal
passes through the speaker
(ON), or not (OFF).

Speaker
Type

(See the table below.)

Type of speaker

Mic Setting

1, 2, 3

Adjusts the location of the mic
that’s capturing the sound of
the speaker.

This can be adjusted in three
steps, from 1 to 3, with the
mic becoming more distant
as the value increases.

Mic Level

0–127

Volume of the microphone

Direct Level

0–127

Volume of the direct sound

Pan #

L64–63R

Stereo location of the output

Level #

0–127

Output level

Type

Cabinet

Speaker

Microphone

SMALL 1

small open-back enclosure

10

dynamic

SMALL 2

small open-back enclosure

10

dynamic

MIDDLE

open back enclosure

12 x 1

dynamic

JC-120

open back enclosure

12 x 2

dynamic

BUILT-IN 1

open back enclosure

12 x 2

dynamic

BUILT-IN 2

open back enclosure

12 x 2

condenser

BUILT-IN 3

open back enclosure

12 x 2

condenser

BUILT-IN 4

open back enclosure

12 x 2

condenser

BUILT-IN 5

open back enclosure

12 x 2

condenser

BG STACK 1

sealed enclosure

12 x 2

condenser

BG STACK 2

large sealed enclosure

12 x 2

condenser

MS STACK 1

large sealed enclosure

12 x 4

condenser

MS STACK 2

large sealed enclosure

12 x 4

condenser

METAL
STACK

large double stack

12 x 4

condenser

2-STACK

large double stack

12 x 4

condenser

3-STACK

large triple stack

12 x 4

condenser

L in

R in

L out

R out

Pan R

Pan L

Pre Amp

Speaker

Parameter

Value

Explanation

Attack #

0–127

Sets the speed at which compression
starts

Threshold #

0–127

Adjusts the volume at which compres-
sion begins

Post Gain

0– +18 dB

Adjusts the output gain.

Low Gain

-15– +15 dB

Gain of the low frequency range

High Gain

-15– +15 dB

Gain of the high frequency range

Level #

0–127

Output level

Parameter

Value

Explanation

Release #

0–127

Adjusts the time after the signal volume
falls below the Threshold Level until
compression is no longer applied.

Threshold #

0–127

Adjusts the volume at which compres-
sion begins

Ratio

1.5:1, 2:1, 4:1,
100:1

Compression ratio

Post Gain

0– +18 dB

Adjusts the output gain.

Low Gain

-15– +15 dB

Gain of the low frequency range

High Gain

-15– +15 dB

Gain of the high frequency range

Level #

0–127

Output level

L in

R in

L out

R out

Compressor

2-Band EQ

2-Band EQ

Compressor

L in

R in

L out

R out

Limiter

2-Band EQ

2-Band EQ

Limiter

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