Apple Compressor 2 User Manual
Page 99

Chapter 7
Creating Dolby Digital Professional Output Files
99
General
 RF Overmodulation Protection: Determines whether to use an RF preemphasis filter in
the clip protection algorithm to prevent RF overmodulation in set-top-box decoders.
 Apply Digital Deemphasis: Specifies whether input audio data is preemphasized and
needs to be deemphasized before encoding.
LFE Channel
 Apply Low-Pass Filter: Select this checkbox to apply a 120 Hz low-pass filter to the
Low Frequency Effects (LFE) channel. Turn off this filter if the digital signal fed to the
LFE’s input does not contain information above 120 Hz.
Full Bandwidth Channels
 Apply Low-Pass Filter: Select this checkbox to turn on a low-pass filter with a cutoff
near the available audio bandwidth that is applied to the main input channels. If the
digital signal fed to the main input channels does not contain information above the
available audio bandwidth, you can turn off this filter. Compressor will automatically
determine the available bandwidth.
 Apply DC Filter: Select this checkbox to turn on a DC high-pass filter for all input
channels as a simple way to remove DC offsets. Most mixed audio material is already
free of DC offsets.
Surround Channels
 Apply 90° Phase-Shift: Select this checkbox to generate multichannel AC-3 streams
that can be downmixed in an external 2-channel decoder to create true Dolby
Surround–compatible output.
 Apply 3 dB Attenuation: Select this checkbox to apply a 3 dB cut to the surround
channels of a multichannel film soundtrack being transferred to a consumer home
theater format. Cinema surround channels are mixed 3 dB “hot” (higher) relative to
the front channels to account for cinema amplifier gains.