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Rev->sympho, Rev->pan, Delay+er – Yamaha 006IPTO-F0 User Manual

Page 316: Appendix a: parameter lists

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316

Appendix A: Parameter Lists

DM1000 Version 2—Owner’s Manual

REV->SYMPHO.

One input, two output reverb and symphonic effects
in series.

REV->PAN

One input, two output reverb and autopan effects in
parallel.

DELAY+ER.

One input, two output delay and early reflections
effects in parallel.

Parameter

Range

Description

REV TIME

0.3–99.0 s

Reverb time

INI. DLY

0.0–500.0 ms

Initial delay before reverb begins

HI. RATIO

0.1–1.0

High-frequency reverb time ratio

DIFF.

0–10

Spread

DENSITY

0–100%

Reverb density

HPF

THRU,
21.2 Hz–8.00 kHz

High-pass filter cutoff frequency

LPF

50.0 Hz–16.0 kHz,
THRU

Low-pass filter cutoff frequency

REV.BAL

0–100%

Reverb and symphonic reverb
balance (0% = all symphonic
reverb, 100% = all reverb)

FREQ.

0.05–40.00 Hz

Modulation speed

DEPTH

0–100%

Modulation depth

MOD. DLY

0.0–500.0 ms

Modulation delay time

WAVE

Sine, Tri

Modulation waveform

SYNC

OFF, ON

Tempo parameter sync on/off

NOTE

1

1.

Used in conjunction with
TEMPO to determine FREQ.

Parameter

Range

Description

REV TIME

0.3–99.0 s

Reverb time

INI. DLY

0.0–500.0 ms

Initial delay before reverb begins

HI. RATIO

0.1–1.0

High-frequency reverb time ratio

DIFF.

0–10

Spread

DENSITY

0–100%

Reverb density

HPF

THRU,
21.2 Hz–8.00 kHz

High-pass filter cutoff frequency

LPF

50.0 Hz–16.0 kHz,
THRU

Low-pass filter cutoff frequency

REV.BAL

0–100%

Reverb and panned reverb bal-
ance (0% = all panned reverb,
100% = all reverb)

FREQ.

0.05–40.00 Hz

Modulation speed

DEPTH

0–100%

Modulation depth

DIR.

1

1.

L<–>R, L–>R, L<–R, Turn L, Turn R

Panning direction

WAVE

Sine, Tri, Square

Modulation waveform

SYNC

OFF, ON

Tempo parameter sync on/off

NOTE

2

2.

Used in conjunction with
TEMPO to determine FREQ.

Parameter

Range

Description

DELAY L

0.0–1000.0 ms

Left channel delay time

DELAY R

0.0–1000.0 ms

Right channel delay time

FB. DLY

0.0–1000.0 ms

Feedback delay time

FB. GAIN

–99 to +99%

Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feed-
back)

HI. RATIO

0.1–1.0

High-frequency feedback ratio

HPF

THRU,
21.2 Hz–8.00 kHz

High-pass filter cutoff frequency

LPF

50.0 Hz–16.0 kHz,
THRU

Low-pass filter cutoff frequency

DLY/ER

0–100%

Delay and early reflections bal-
ance (0% = all delay, 100% = all
early reflections)

TYPE

S-Hall, L-Hall, Ran-
dom, Revers, Plate,
Spring

Type of early reflection simula-
tion

ROOMSIZE 0.1–20.0

Reflection spacing

LIVENESS

0–10

Early reflections decay character-
istics (0 = dead, 10 = live)

INI. DLY

0.0–500.0 ms

Initial delay before reverb begins

DIFF.

0–10

Spread

DENSITY

0–100%

Reverb density

ER NUM.

1–19

Number of early reflections

SYNC

OFF, ON

Tempo parameter sync on/off

NOTE L

1

1.

(Maximum value depends on the tempo setting)

Used in conjunction with
TEMPO to determine left chan-
nel DELAY L

NOTE R

1

Used in conjunction with
TEMPO to determine right chan-
nel DELAY R

NOTE FB

1

Used in conjunction with
TEMPO to determine FB. DLY

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