Roland G-70 - Manual (Page 241)

Appendix | MFX and IFX types and parameters
G-70 Music Workstation r
241
● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is
used. LPF: cuts the frequency range above the Cutoff value.
HPF: cuts the frequency range below the Cutoff value.
● Cutoff Frequency (200~8000Hz)—Basic frequency of the
filter.
● Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is
heard.
● Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should
be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed (Hz) or a note value.
● Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation
speed.
● Rate [note] (musical notes)—Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
● Depth (0~127)—Depth of modulation.
● Phase (0~180 deg)—Spatial spread of the sound.
● Feedback (–98%~0~+98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative
(–) settings will invert the phase.
● Output Mode (Speaker, Phones)—Adjusts the method
that will be used to hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect will be achieved if you
select SPEAKER when using speakers, or PHONES when
using headphones.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
60. 3D Step Flgr
This applies a 3D effect to the step flanger sound. The flanger
sound will be positioned 90 degrees left and 90 degrees right.
● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is
used. LPF: cuts the frequency range above the Cutoff value.
HPF: cuts the frequency range below the Cutoff value.
● Cutoff Frequency (200~8000Hz)—Basic frequency of the
filter.
● Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is
heard.
● Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should
be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed (Hz) or a note value.
● Step Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modula-
tion speed.
● Step Rate [note] (musical notes)—Rate parameters can be
set as a note-value of a tempo if you set the “Sync” param-
eter above to “Note”. Specify the value of the desired note.
● Depth (0~127)—Depth of modulation.
● Phase (0~180 deg)—Spatial spread of the sound.
● Feedback (–98%~0~+98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative
(–) settings will invert the phase.
● Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the step rate should be syn-
chronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parame-
ter refers to a speed (Hz) or a note value.
● Step Rate [Hz] (0.10~20.00Hz))—Rate (period) of pitch
change.
● Step Rate [note] (musical notes)—Rate parameters can be
set as a note-value of a tempo if you set the “Sync” param-
eter above to “Note”. Specify the value of the desired note.
● Output Mode (Speaker, Phones)—Adjusts the method
that will be used to hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect will be achieved if you
select SPEAKER when using speakers, or PHONES when
using headphones.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
61. Band Chorus
A chorus effect that lets you apply an effect independently to
the low-frequency and high-frequency ranges.
● Split Frequency (200~8000Hz)—Frequency at which the
low and high ranges will be divided.
● Low Pre Delay (0.0~100.0ms)—Delay time from when the
original sound is heard to when the low-range chorus
sound is heard.
● Low Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“‘Note”) or not (“Hz”) the low modulation rate
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed (Hz) or a note value.
● Low Rate [Hz] (0.05~10.00Hz)—Rate at which the low-
range chorus sound is modulated.
● Low Rate [note] (Musical Notes)—Rate parameters can be
set as a note-value of a tempo if you set the “Sync” param-
eter above to “Note”. Specify the value of the desired note.
● Low Depth (0~127)—Modulation depth for the low-range
chorus sound.
● Low Phase (0~180 deg)—Spaciousness of the low-range
chorus sound.
● High Pre Delay (0.0~100.0ms)—Delay time from when the
original sound is heard to when the high-range chorus
sound is heard.
● High Rate [sync] (Hz, Note)—Use this parameter to spec-
ify whether (“Note”) or not (“Hz”) the high modulation rate
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed (Hz) or a note value.
● High Rate [Hz] (0.05~10.00Hz)—Rate at which the high-
range chorus sound is modulated
● High Rate [note] (Musical Notes)—Rate parameters can
be set as a note-value of a tempo if you set the “Sync”
parameter above to “Note”. Specify the value of the desired
note.
● High Depth (0~127)—Modulation depth for the high-
range chorus sound.
● High Phase (0~180 deg)—Spaciousness of the high-range
chorus sound.