Roland G-70 - Manual (Page 234)

Appendix | MFX and IFX types and parameters
234
r
G-70 Music Workstation
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
27. OD‰ Chorus
This effect connects an Overdrive and a Chorus in series.
(“Series” means that the output signal of the first effect is
also processed by the second).
● Overdrive Drive (0~127)—Degree of distortion. Also
changes the volume.
● Overdrive Panpot (L64~0~63R)—Stereo location of the
overdrive sound.
● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
● Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
● Chorus Depth (0~127)—Modulation intensity.
● Chorus Balance (D100:0W, D50:50W, D0:100W)—Vol-
ume balance between the direct sound (D) and the chorus
sound (W).
● Level (0~127)—Output level.
28. OD‰ Flanger
This effect connects an Overdrive and a Flanger in series.
● Overdrive Drive (0~127)—Degree of distortion. Also
changes the volume.
● Overdrive Panpot (L64~0~63R)—Stereo location of the
overdrive sound.
● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
● Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
● Flanger Depth (0~127)—Modulation intensity.
● Flanger Feedback (–98%~0~98%)—Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
● Flanger Balance (D100:0W, D50:50W, D0:100W)—Vol-
ume balance between the direct sound (D) and the flanger
sound (W).
● Level (0~127)—Output level.
29. OD‰ Delay
This effect connects an overdrive and a delay in series.
● Overdrive Drive (0~127)—Degree of distortion. Also
changes the volume.
● Overdrive Panpot (L64~0~63R)—Stereo location of the
overdrive sound.
● Delay Time (0.0~500.0ms)—Adjusts the time until the
delay is heard.
● Delay Feedback (–98%~0~98%)—Adjusts the amount of
the delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.
● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.
● Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts
the volume balance between the sound that is sent
through the delay (W) and the sound that is not sent
through the delay (D).
● Level (0~127)—Output level.
30. DST‰ Chorus
This effect connects distortion and a chorus in series.
● Distortion Drive (0~127)—Degree of distortion. Also
changes the volume.
● Distortion Panpot (L64~0~63R)—Stereo location of the
distortion sound.
● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
● Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
● Chorus Depth (0~127)—Modulation intensity.
● Chorus Balance (D100:0W, D50:50W, D0:100W)—Vol-
ume balance between the direct sound (D) and the chorus
sound (W).
● Level (0~127)—Output level.
31. DST‰ Flanger
This effect connects distortion and a flanger effect in series.
● Distortion Drive (0~127)—Degree of distortion. Also
changes the volume.
● Distortion Panpot (L64~0~63R)—Stereo location of the
distortion sound.
● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
● Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
● Flanger Depth (0~127)—Modulation intensity.
● Flanger Feedback (–98%~0~98%)—Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
● Flanger Balance (D100:0W, D50:50W, D0:100W)—Vol-
ume balance between the direct sound (D) and the flanger
sound (W).
● Level (0~127)—Output level.
32. DST‰ Delay
This effect connects distortion and a delay effect in series.
● Distortion Drive (0~127)—Degree of distortion. Also
changes the volume.
● Distortion Panpot (L64~0~63R)—Stereo location of the
distortion sound.
● Delay Time (0.0~500.0ms)—Adjusts the time until the
delay is heard.
● Delay Feedback (–98%~0~98%)—Adjusts the amount of
the delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.
● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.
● Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts
the volume balance between the sound that is sent
through the delay (W) and the sound that is not sent
through the delay (D).
● Level (0~127)—Output level.
33. EH‰ Chorus
This effect connects an enhancer and a chorus in series.
● Enhancer Sens (0~127)—Sensitivity of the enhancer.
● Enhancer Mix Level (0~127)—Level of the overtones gen-
erated by the enhancer.