Apple Cinema Tools 3 User Manual
Page 234
234
Index
Open Media Framework files. See OMF files
optical list 41, 142
optical printing 129, 130–131
optical scene list 144
original camera negative 206, 207, 208, 211
P
PAL video
audio synchronization issues 31, 32
converting from 24P video 185
frame rate 22, 24
outputting to videotape 32
timecode 26
transferring film to 24–25
working with 24–25
parsing error 169, 170
poster frame 85, 104, 105
progressive scanning 25, 177
pull list 41, 144
Q
R
Reconnect Clips command 107–108
reel identifiers 87
referencing clips 126
release print 207, 211
Reverse Telecine dialog 53
automated version 53
settings in automated version 190–191
settings in detailed version 115–118
Reverse Telecine feature 40, 113–122, 210
24P video and 185
dropped frames and 96, 118, 219
field information and 114–115
tips for using 113
using on one clip at a time (single-clip reverse
telecine) 115–119
using on several clips at a time (batch reverse
telecine) 119–122
reverse telecine process
3:2 pull-down and 113
checking the results 119
effects on timecode 27
S
scene-and-take transfers
advantages of 22
audio synchronization issues 22
capturing clips and 39
cut lists and 34
database structure and 62
telecine logs and 34
workflow examples 42–43
Scene field 74, 75, 79
scene identifier 75, 78, 79
scene list 41, 144
SD video. See standard definition video
self-contained clips 126
shot identifier 75
slate 30, 206, 208
sound. See audio
Sound Roll field 81
Sound TC Rate (sound timecode rate) 77
choosing a default 68–69
pop-up menu in Detail View window 81
Sound Timecode field 81
source clips
accessing information about 93
basic rules for connecting to database 102
breaking down or deleting sections of before
editing 125–126
capturing. See capturing process
changing frame rate 40
choosing a new poster frame 85
conforming 40, 111, 112
connecting to the database 39, 102–106
considerations for capturing individually 101
deleting 126
determining length with the Identify feature 84
disconnecting from the database 104–106
editing timebase and 32
naming scheme for batch-captured clips 101
preparing for digital editing 109–126
preparing to capture 95–102
problems with moving or renaming in Finder 103
reconnecting to the database 107–108
referencing 126
renaming 93
reverse telecine and 40
self-contained 126
tracking duplicate uses of 134
sprocket holes. See perforations
standard definition video 184
sticks 30, 206, 208
T
Take field 74, 79
take identifier 75, 79
telecine log 19
advantages of using 63
camera-roll transfers and 35
creating a Cinema Tools database with 63
cut lists and 34, 35
data used in database 66
exporting audio EDLs and 31
scene-and-take transfers and 34
UP01101.Book Page 234 Thursday, March 10, 2005 3:16 PM