Apple Cinema Tools 3 User Manual
Page 230
230
Index
recorders 28, 30, 98
speed issues 161
synchronizing with video. See audio/video sync
timecode 28–29, 30, 161
audio/video sync 30–31, 123, 209
24@25 method and 24
audio recorders and 28, 30
basics 30–31
camera-roll transfers and 21, 31
NTSC video and 31
PAL video and 31
scene-and-take transfers and 22
telecine transfers and 29, 31
exporting 29, 161–163
exporting from within Cinema Tools 165
settings required in the Detail View window 77
track usage and 165
using for 24P double system audio 196
Audio Interchange File Format files. See AIFF files
audio recorders 28, 30, 98
audio scratch tracks 207
audio scratch tracks, magnetic film 207
Avid Log Exchange files. See ALE files
B
batch capture 22, 38, 39, 63, 84, 209, 210
batch capture list 99, 100–101
Batch Reverse Telecine dialog
settings in automated version 192
settings in detailed version 121–122
Batch Reverse Telecine feature 119–120
batch reverse telecine process 119–120
automated batch reverse telecine 192–193
preparing to use 119–120
using with 24P video 192
C
camera-roll transfers
audio synchronization issues 21, 31
breaking a larger clip into smaller ones 21
capturing clips and 39
continuous vs. noncontinuous edge code-to-
timecode relationship 64–65
cut lists and 35
database creation issues 65
database structure and 62
disadvantages of 21
telecine logs and 35
workflow examples 43–45
Cam Roll field 79
capturing process
batch capture 99–101
camera-roll transfers and 39
compression and 37
considerations for individual clips 101
device control and 38–39
dropped frames and 96
manually capturing clips 38
preparing to capture source clips 95–102
scene-and-take transfers and 39
described 151–152
dialog settings 156
exporting 153–155
exporting from within Cinema Tools 157
handling effects 153
saving program files 145
settings required in the Detail View window 77
timecode-based generation method 77
using with reel balancing 155
when to use 152
Change List dialog 57–58, 156
Change Reel dialog 55
Cinema Tools
basic workflow steps 33–41
cut list generation and 39, 213–215
described 7–9
interface 47–59
workflow examples 41–45
Cinema Tools database
See also database records
backing up 93
basic structure 62
batch capture lists and 209
camera-roll transfers and 35, 65
changing default project settings 87
changing reel or roll identifiers 87
checking information in 67
choosing a film standard 67–68
choosing a new clip poster frame 85
choosing a sound timecode (Sound TC Rate) 68–
69
choosing a telecine speed (TK Speed) 69
choosing a video timecode (Video TC Rate) 68
choosing default settings for 67–69
connecting source clips to 39, 102–106
creating 33–37, 66–69, 209
creating a new record 74
creating from a Final Cut Pro batch capture
list 63, 71–72
creating from another Cinema Tools database 72
creating with a telecine log or ALE file 63, 70–71
creating without a telecine log or ALE file 64
cut list generation and 209
deleting a record 85
described 33, 61, 209
disconnecting clips from 104–105, 106
entering information in 70–84
UP01101.Book Page 230 Thursday, March 10, 2005 3:16 PM