Apple Cinema Tools 3 - Manual (Page 229)

229
Inde
x
Index
16mm film 18, 202, 203
2:2:2:4 pull-down 195
2:3:2:3 pull-down
See also 3:2 pull-down
described 187
removing with Cinema Tools 190
2:3:3:2 pull-down 25
advantages 189
described 188
removing with Cinema Tools 190
removing with Final Cut Pro 189
2:3 pull-down. See 3:2 pull-down
23.98 fps video
adding pull-down for NTSC FireWire output 196
converting to NTSC 194
24&1 method 25, 136
24@25 method 24
24P video
about the aspect ratio 184
adding and removing pull-down 187–196
audio EDLs and 196
checking for cadence discontinuities 191
Cinema Tools and 10
Conform feature and 185
converting NTSC EDLs to 24 fps 182, 186
converting to NTSC 185
converting to PAL 185
described 10, 177
editing 11
editing material that originated on film 178
editing with Final Cut Pro 179–197
exporting 24 fps EDLs 185
Final Cut Pro and 10, 25
frame rate 10, 22
frame rate on NTSC systems 25
importing 24 fps EDLs 181
importing NTSC EDLs 182
Reverse Telecine feature and 185
telecine transfers and 10, 25
timecode used 186
using Final Cut Pro as both online and offline
editor 179–180
using Final Cut Pro as offline editor 183–186
using Final Cut Pro as online editor 180–182
3:2 pull-down
“A” frames and 24
cut list accuracy and 136
described 23
removing extra fields with the Reverse Telecine
feature 24, 113
35mm film 18, 202, 203, 204
A
Acmade numbers. See ink numbers
“A” frames
described 24
five-frame pattern and 24
locating 120
non-drop frame timecode and 24, 26
AIFF files 161
ALE files
advantages of using 63
creating a Cinema Tools database with 63
exporting 173
fields supported by Cinema Tools 172–173
importing 173
working with 172–173
answer print 207, 211
AppleCare Knowledge Base 217
AppleCare Support 220
Apple Store 14
Apple websites 13–14
audio
See also audio EDLs, audio/video sync
adjusting speed 123
capturing 98, 210
Cinema Tools and 9
double system recording 30
edited in Final Cut Pro 9, 29
editing traditionally 207
exporting an EDL 29, 161–163, 210
exporting an OMF file 29, 160, 210
exporting considerations 160–161
finishing 210, 211
finishing with Final Cut Pro 29
mixing the final 29–30
UP01101.Book Page 229 Thursday, March 10, 2005 3:16 PM