Apple Cinema Tools 3 User Manual
Page 233
Index
233
Easy Setups for Cinema Tools users 127
editing 24P video with 179–197
exporting audio EDLs from 29
exporting OMF files 29, 160, 210
finishing the audio with 29
memory allocated to 220
setting the editing timebase 24, 32
using as 24P offline editor 183–186
using as 24P online editor 180–182
using as both 24P online and offline editor 179–
180
finding database records with 92–93
FireWire
FLEx files 63
found set 51, 78, 91
frame rates
See also 24P video, PAL video, NTSC video
basics 22–28
film 22
matching to Final Cut Pro’s editing timebase 32,
109
NTSC video 22
PAL video 24
G
H
HD video. See high definition video
high definition video 10
See also 24P video
I
edge code-to-timecode relationship and 88, 90
verifying and correcting edge code and timecode
with 88–90
video without window burn and 83
Identify window 54, 88
Ink number field 79
ink numbers 204
See also edge code
K
Key field 79
key numbers
16mm film and 203
35mm film and 203, 204
Cinema Tools and 203
cut list values do not match values in digital
clips 218–219
described 203
finding 91
motion effects list and 144
OfflineRT and 96
verifying 37, 205
window burn 205
L
Lab Roll field 79
latent edge code. See edge code
Length field 80
List View window 49–51
opening database records from 91
M
Mac OS
magnetic film 207
memory
allocated to Final Cut Pro 220
described 139–140
resolving 140
motion effects list
described 143–144
key numbers and 144
N
negative. See original camera negative
negative cutter 207, 211
New Database dialog 47, 66
New Record dialog 74
NLE (nonlinear editor) 8
non-drop frame timecode 26, 28
nonlinear editor (NLE) 8
NTSC video
3:2 pull-down and 23–24
audio synchronization issues 31
converting from 23.98 fps 194
converting from 24P 185
EDLs and 169
field rate 22
frame rate 22
outputting to videotape 32
timecode 26–28
transferring film to 22–24
working with 22–24
O
OfflineRT 96
OMF files 29, 160, 210
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