The blitz – by jim kuzman, Tokyo – by jesse graffam, Trinity – by leif claesson – Omnia Audio Omnia.9 User Manual
Page 160: Upsidasium – by leif claesson, Uranium-238 – by leif claesson, Zenith – by jesse graffam

The Blitz – by Jim Kuzman
)@M@E>GIFF=K?8KCFL;E GI ! C@KQU@J8>I<8K:?F@:<=FI:C8JJ@:8E;8:K@M :C@GG Tokyo – by Jesse Graffam FIEF=T-8JJ@M<>>I K?<98E;T1FBPFU; D@;I8E>< @J =LCC 8E;IFLE; N@K? @E:I<8J<; MF:8C @EK speakers and earbuds as well as higher-quality systems. A tightly-controlled low end ensures the bass always shows up for the party. Trinity – by Leif Claesson &EJG@I<;9PK? open mid-range and a more classic “Omnia” sound. “Trinity” doesn’t use any parametric EQ or stereo FEK?<8@ID8B@E>@KJL@K89C<=FIE<8ICP8EP=FID8K
Upsidasium – by Leif Claesson 1? M K?IFL>?K? CFFB@E>8KPFL! K?8KWJ<8JPKFC@JK offers the perfect compromise. Uranium-238 – by Leif Claesson 1?< J<:FE; CFL; T-CLKFE@LD #*U
&K ?8J 8 J@D@C8I JFLE; KF @KJ G8I :FDGI dominating loudness is still your goal but “Plutonium” feels too over-the-top. Zenith – by Jesse Graffam How much processing can you get away with before things start to sound processed? The 7-band T7 JG<:KI8C8E;CFL;E little push in the right direction. Chapter 20 Factory Presets 160