Omnia Audio Omnia.9 - Manual (Page 157)

French Kiss – by Leif Claesson
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pairs very well with electronic dance music.
Helix – by Jesse Graffam
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Imagine Hot Mid – by Rob Morsink
This bright and loud 3-band preset puts and emphasis on mids and highs and employs a fast release time
in the WB AGC-1 compressor to keep levels consistent going into the multi-band AGC section which uses
light ratios over threshold. A great preset for making vocals shimmer and for bringing out all the details in
the upper frequencies.
Jill FM – by Jesse Graffam
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vocal and lyrical clarity and a super-smooth mid-range. This preset uses a tight ratio on the AGC but
loose multi-band ratios and heavier multi-band limiting. Carefully designed not to over-process the bass
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as a goal who still need to maintain a competitive degree of loudness.
Motor City – by Jesse Graffam
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the mid-range but is never harsh. This preset makes use of Omnia.9’s Wideband AGC2 after the multi-
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ratios in all bands via the Gain Reduction Override feature.
New York – by Jesse Graffam
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needed to trade off a bit of that loudness for a cleaner sound.
Northridge FM – by Jim Kuzman and Leif Claesson
“Northridge FM” is a 7-band preset that makes use of the Wideband AGC2 compressor in “Bass Only”
mode to deliver lots of bass punch. Loudness is built relying more upon the dynamics section of Omnia.9
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multiband limiters. It is also one of the brightest and “coolest” factory presets in terms of spectral balance
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Chapter 20 Factory Presets
157