Omnia Audio Omnia.9 - Manual (Page 14)

Making and Saving Changes
%LD8E E8KLI< @JX:BC
K?@E>J@E D@E;?8E;J8M@E>:?8E>
presets:
R !,I?K8=K
air.
R !,+W1D8B
R !,+W1 D8B<8;ALJKD
N?@:?F=K?<8;ALJKD
on the air.
R !,CFFB KFK?<8E;*@O8E;-8I8D
TJ@>E8KLI=FI
1?F8
CFE>N8P
1?@J@J>8;ALJKD
:FEKIFCJ8J@K@JJFD
another on all material.
R !,K8B<9I<8BJ N?PFLIGIF:
"8IJK@I
PFLWI<8CDFJKJLIL<
R !,+W1 KLIE PFLI DFE@KFI JG<8B 8;ALJKD? C@JK C
cause ears to tire even more quickly and mask both gain riding artifacts and distortion. Most
C@JKIFLE;8E;GIF9C
listening levels.
R !,D8B
R DO take the time to calibrate a set of high-quality reference monitors (a process described in detail
in this manual) so that any changes you make aren’t skewed by colorations of the speakers or
room.
R DON’T rush the process. Use the “sleep-on-it” method when you’ve reached a point where you are
DFJKCPJ8K@JX<;N@K?K?FF;01,-
&=
@K;F
R DO use the “Save As” method of naming and saving your custom presets rather than over-writing
K?
keep you from having to remember (or guess) what changes you’ve made along the way.
Many Omnia.9 users have asked if they can make their own custom presets “from scratch.” All custom
GI?K=FIN8I; E=8:KFIP GI
T/<=JU8E;8JJL:?GIFM@;KF8T9C8EB:8EM8JUGFJJ@9C<=FI9L@C;@E>PFLI
own preset from the ground up.
Chapter 3: General Processing Advice
14