Omnia Audio Omnia.9 - Manual (Page 119)

R The Lock :FEKIFC8CCFNJPFL KFTCF:B ;FNEU8CCF=K?J@E:CL;@E>K?
J?FIK:LK JJ JL:? 8J MFCLD<:FEKIFCJ 8K K?< KFGF= K?< LJ
:FEKIFCJN@CC8GG<8I>I8P<;FLK
1?@J@J
prevents the selected patch point from being accidentally changed by someone connected via a
remote client.
J Imagine the surprise - not to mention confusion - this would cause the talent if, say, the Speaker
Output, which normally feeds the studio monitors with the low latency Studio output, got
BF8C2743>E4AC>C74
B86=0;=3F78;4F4OA4>=C74BD1942C;4CDB6>>=A42>A30BBC0C8=6
we do not endorse the idea of deliberately confusing the talent in this manner. We’re just saying
8C 2>D;3 022834=C0;;H 70??4=K &5P280;;H F4 BCA>=6;H A42><<4=3 ;>2:8=6 3>F= 0=H <>=8C>A
output put in active use.
R 1?<*FE@KFI,LKGLK J<:K@FEJ <8:? :FEK8@E -IFK<:K@FE )@D@K
JG<8B?
@EMFCM
K?<98IJ@EK?<:FIIMFCLD<:FEKIFCJN@CC8GG<8I@E;@:8K@E>K?8K
the master gain should be reduced. The Master Gain :FEKIFC 8;ALJKJ K?
*FE@KFI ,LKGLKJ<:K@FE I
:8C@9I8K@FEPFL?8ME@X:8EK:LKJKF8:?@
raise the output level so that the calibrated and un-calibrated outputs match volume-wise when you
compare them by using the Bypass control.
R The Left Level and Right Level :FEKIFCJ 8CCFN PFL KF 8;ALJKK?< FLKGLK >8@E F= <8:? :?8EE
individually and act as a sort of “balance” control in situations where the left and right speakers are
not equally spaced from the monitor point.
R The Solo Left and Solo Right controls allow you to monitor only the left or only the right channel.
R The Left High Pass Filter and Right High Pass Filter :FEKIFCJ8CCFNPFLKFJ?G8JJXCK
:LKF==GF@EKKF8MF@;FMJD8CCJG<8BJD8CC
N@CC:FD<8GF@EKN?8E;@K@J
more practical to simply not try and pass those frequencies at all. That point will be clear on the
/18E;@J
R The Pink Noise Left and Pink Noise Right controls turn the pink noise generator in each channel
on or off.
Main 2 Menu
1?<*8@E*
>8@E C?K:?8EE
9FK?K?
K@D<8E;@E;@M@;L8C:?8EE
Chapter 17 Monitor Output Menu
119