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1 compressor/limiter, Type 1 & 2: col (compressor 1), c02 (compressor 2), Type 3 lim (limiter) – Yamaha FX770 User Manual

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Section 7: Reference

7.1.1 COMPRESSOR/LIMITER

From the days of the “stomp box” pedal effects to the current use of rack mount devices, the Compressor has been
a vital tool for the guitarist. The FX770 features a classic Compressor designed especially for guitar (just like your
favorite “stomp box”), and a modem Limiter to fill your contemporary “rack mount” sound needs.

Type 1 & 2: COl (compressor 1), C02 (Compressor 2)

Compressor C02 has a much deeper effect than the COl.

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COx flTK SUS LUL

Parameter #

Name

Function

Value/Range

Parameter 1
Parameter 2
Parameters

Notes:

Attack Time

Sustain
Output Level

ATK
SUS
LVL

Attack Time
Sustain
Output level

0~20

0 - 1 0 0

-cc, -30 - +6 [dB]

Determines how long it takes for compression to begin after an input signal is detected.
A higher value emphasizes the attack.

Determines how long it takes for the compression to be released after the input signal drops.
Balances out the volume level when the Compressor/Limiter Effect Block is being used. (Set this level
carefully! Usually, try to set the Volume level of the Comp/Lim effect block to be the same whether the effect
is in or out of the signal chain) . However, another technique is to raise the level here so that distortion will
be more effective.

Type 3 LIM (Limiter)

Paget

LIM FlTK SUS LUL

Parameter

#

Name

Function

Value/Range

Parameter 1
Parameter 2
Parameter 3

Notes:

Attack Time

Sustain
Output Level

ATK
SUS

LVL

Attack Time
Sustain
Output level

0 - 2 0

0 - 1 0 0

-=o, -30 - +6 [dB]

Determines how long it takes for compression to begin after an input signal is detected.
A higher value emphasizes the attack.
Determines how long it takes for the compression to be released after the input signal drops.
Balances out the volume level when the Compressor/Limiter Effect Block is being used. (Set this level
carefully! Usually, volume should be Volume should be set to be the same when CMP/LIM is in or out) in
or out). However, another technique is to raise the level here so that distortion will be more effective.

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