Boss Audio Systems DIGITAL RECORDING STUDIO BR-1600CD - Manual (Page 95)

95
Insert effect parameter functions
Section 2
Treble -50–+50
Adjusts the tone for the high frequency range.
Level 0–100
Adjusts the overall volume of the overdrive/distortion sound.
COSM PreAmp&Speaker
COSM technology plays an indispensable role in simulating
the distinguishing characteristics of various guitar amps in
the “Preamp” section, and is also used to simulate various
speaker sizes and cabinet constructions in the “Speaker
Simulator.”
Effect On/Off OFF, ON
Turns the Preamp/Speaker Simulator effect on or off.
Type
This sets the type of the guitar preamp. The distortion and tone
characteristics of each amp are as shown below:
Gain 0 –100
Adjusts the distortion of the amp.
Bass 0 –100
Adjusts the tone for the low frequency range.
Middle 0–100
Adjusts the tone for the middle frequency range.
Treble 0–100
Adjusts the tone for the high frequency range.
Presence 0–100
Adjusts the tone for the ultra high frequency range.
* If you have selected “VO DRV,” “VO LEAD,” “VO CLEAN,” “MCH
DRV,” “MCH LEAD,” or “FAT MCH” as the type, raising the
presence will cut the high range (the value will change from 0 to -100).
Level 0 –100
Adjusts the overall volume of the entire preamp.
* Be careful not to raise the Level setting too high.
Bright OFF, ON
Turns the bright setting on or off.
OFF:
No brightness is added.
ON:
Brightness is added to create a lighter, crisper tone.
* This will not be displayed for certain Type settings.
Gain SW LOW, MIDDLE, HIGH
Adjusts the distortion generated by the amp, with the level
increasing in sequence for LOW, MIDDLE, and HIGH.
* The sound of each type is created with the assumption that gain is set to
MIDDLE. It is normal, therefore, to use this setting.
Speaker SW OFF, ON
Turns the speaker simulator on or off.
JC-120 The sound of the Roland JC-120.
JAZZCMB The sound suited to jazz.
FULLRNG This is a sound with flat response.
CLEANTW This models a Fender Twin Reverb.
PROCRNC This models a Fender Pro Reverb.
TWEED This models a Fender Bassman 4 x 10” Combo.
CRUNCH
This is a crunch sound that can produce
natural distortion.
BLUES This is a sound suited to blues.
STKCRNC This is a crunch sound with high gain.
VO DRV
This models the drive sound of a VOX AC-
30TB.
VO LEAD
This models the lead sound of the VOX AC-
30TB.
VO CLEAN
This models the clean sound of the VOX AC-
30TB.
MCH DRV
This models the sound input to left input on a
Matchless D/C-30.
MCH LEAD
This models the sound input to right input on
a Matchless D/C-30.
FAT MCH
This models the sound of a MATCHLESS with
a modified high gain.
BG LEAD
This models the lead sound of the MESA/
Boogie combo amp.
BG DRV
This models a MESA/Boogie with TREBLE
SHIFT SW on.
BG RHY
This models the rhythm channel of a MESA/
Boogie.
MS (1)
This models the sound input to Input I on a
Marshall 1959.
MS (1+2)
This models the sound of a Marshall 1959 with
Inputs I and II connected in parallel.
MS HI-G
This models the sound of a Marshall with a
modified midrange boost.
RF RED
This models the lead channel of a MESA/
Boogie Dual Rectifier.
RF ORNG
This models the rhythm channel of a MESA/
Boogie Dual Rectifier.
RF VNTG
This models a MESA/Boogie Rectifier with
VINTAGE SW on.
SLDN This models a Soldano SLO-100.
DRV STK This is a drive sound with high gain.
LEADSTK This is a lead sound with high gain.
5150DRV
This models the lead channel of a Peavey EVH
5150.
MTL STK This is a drive sound suited to metal.
MTLLEAD This is a lead sound suited to metal.
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