Blackmagic Design DaVinci Resolve Studio (Dongle) - Manual (Page 436)

421
Index
Ctrl key. See keyboard shortcuts
curves
and nodes, 319–322
palette, 367, 393
primary color corrections, 350–355
custom presets, 402–407. See also presets
custom settings, using, 89
cut aways, 17–19, 32–33
cut page
starting in, 2–5
switching to, 3
cuts, reviewing, 142, 145, 148
cutting and pasting clips, 7, 128–131
D
databases, 414–417
DaVinci Resolve Editor Keyboard, 62
dB (decibel) scale, 213, 217
De-Hummer dialog, 245
delete key, pressing, 7
deleting
audio, 121–122
clips, 45, 124
clips without leaving gaps, 120–125
markers, 192–193
ranges within clips, 122–125
rendered cache files, 176
tracks, 203
transitions, 161
video, 121–122
Deliver page, 70–71, 407
destination controls, 105
dialogue editing, 185–186, 213
diegetic music, 187
.diskdb file, 417
dissolves.
See cross dissolves
Documents folder, 72
drag and drop, 12
dragging
clips, 12, 73, 150
to trim, 141
drives
changing for cached content, 68
choosing, 72
copying projects and media, 412–413
showing connections, 71
drum hit placement, 236–237
duration, displaying, 107, 200–201
dynamic range, 187–188
Dynamic Trim, 145.
See also trimming
dynamic zoom controls, 57
dynamics controls, 187–188
E
ease-in/ease-out commands, 173
Edit Index, finding markers, 207–208
edit overlay, 92, 98
edit page, 70–71
editing
from bins, 106–110
button, 3
camera angles, 21–25
editing tools
close up angles, 15–17
cut aways, 17–19
DaVinci Resolve Editor Keyboard, 62
razor, 126
replacing clips, 20–21
trim, 137
using, 13–15
Editor Keyboard, 62. See also keyboard
shortcuts
edits
making, 89–93
toggling sides for trimming, 148
trimming, 26–34
effects, copying and pasting, 170–171
Effects Library
adding transitions from, 47–48
contents, 164
transitions and filters, 165–168
using, 55–56
End key, 98
ENR process, 393–395
EQ (equalization) controls, 188
Export Project Archive, 412
exporting files, 60, 116
eyedropper, 347, 370
F
fading clips in and out, 158–160
Fairlight page
color coding tracks, 228–229
described, 70
interface, 224–227
modifying clip attributes, 241–243
recording audio, 237–240
renaming tracks, 228–229
sound effects, 235–237
spotting lists, 229–231