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2 timecode bar, Timecode bar, On 6.5.2 ‘timecode bar – EVS XEDIO CleanEdit Version 4.2 - June 2012 User Manual User Manual

Page 100: E 86, Imecode

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Issue 4.2.B

Xedio Suite Version 4.2 – User Manual – CleanEdit

EVS Broadcast Equipment – June 2012

86

Area

Description

5.

TC and

Duration

Fields

The timecode and duration fields provide time information

on the position of the mark IN, mark OUT, full edit

duration, or duration between marks.
See also the section 6.5.8 ‘Timecode and Duration

Fields’, on page 94.

6.

Track

Selection and

Audio

Settings

The buttons for track selection on the left of the track are

used to select:

the tracks to be taken into account in an editing

operation

the audio output (and mode) in playout, rendering, and

export actions.

The buttons on the right of the track are used:

to define the audio routing for stereo tracks

to zoom the track, and perform fine tuning on the audio

tracks.

See also the section 6.5.9 ‘Audio Track Selection and

Settings in the Timeline’, on page 95.

7.

Timeline

Display

This is a graphical representation of the edit, in which

users execute and visualize the editing actions.
See also from section 6.5.4 to section 6.5.6.

8.

Scale Bar and

Move Bar

The Scale bar and Move bar allow the user to easily

navigate in the timeline.
See also the section 6.5.3 ‘Scale Bar and Move Bar’, on

page 87.

6.5.2 T

IMECODE

B

AR

The timecode bar, located above the timeline display, displays a graduation of the

timecode in the timeline. The timecode of the first frame will start with the

timecode defined when the edit was created.
The most precise graduation is a graduation by frame, i.e. from frame 0 to 24 in

PAL, and from frame 0 to 29 in NTSC.
The timecode bar displays the tags (graphics) and the cue points (reference

marks). Right-clicking the timecode bar opens the contextual menu from which you

can define tags and cue points. For more information, refer to the sections 7.8

‘Cue Points’, on page 128 and 11.2 ‘Adding a Logo or Graphic’, on page 197.