Yamaha SU700 - Manual (Page 97)

Chapter 2 Tutorial 97
CHAPTER
2
Song structure
The song will be structured in the same ten blocks as in the previous section, “Build-
ing Your Own Song.” In the following table, the material printed in bold indicates the
differences from the song you created in “Building Your Own Song.”
Measure Section Description
001 Intro A Sound type B settings are used for FREE tracks 1–4.
We’ll play the sample on FREE 1 continuously (all the way through to the
end of Intro B).
We’ll use the ribbon control to scratch out the sound on FREE tracks 2–4
(both in Intro A and again in Intro B).
009 Intro B FREE tracks continue as in Intro A, using the sound type B settings.
At start of Intro B, begin bass loop phrases on COMPOSED LOOP 1 and 2.
023 Break All tracks muted for two measures.
Here we switch the sounds of FREE tracks 1–4 to different settings (sound
type A) than were used during the intro.
025 Section A Start LOOP 1 and LOOP 2 loops at beginning of this section.
Also start COMPOSED LOOP 1 and 2 loops at beginning of this section.
Hold FREE 1 sound from start of this section for approximately 2 measures.
Begin playback of other FREE tracks starting from the middle of this section.
041 Section B Start COMPOSED LOOP 3 and 4 loops at beginning of this section.
Other tracks continue as from section A. All tracks are now playing.
057 Section C Switch mute ON for LOOP 1 and LOOP 2 at beginning of this section.
All COMPOSED LOOP tracks continue playing without change (sound is
same as in Section B).
At start of this section, switch all FREE tracks back to the sound settings
they had during the Intro sections (sound type B), and play them in the
same way as during Intro A. All FREE tracks play the same as in Intro A.
071 Section D Switch mute ON for COMPOSED LOOP 1 and 2 at beginning of this section.
Continue COMPOSED LOOP 3–4 and all FREE tracks from Section C.
073 Section E At start of this section, change FREE tracks back to the type A sound set-
tings.
Also at start of this section, release mutes on LOOP tracks 1 and 2, and on
COMPOSED LOOP 1 and 2, so that all tracks are playing.
Play the same content as Section B (16 measures) twice in succession (32
measures).
105 Ending A At the beginning of this section, switch mute ON for LOOP 1 and 2 tracks
and for COMPOSED LOOP 3 and 4.
Switch the sounds of FREE tracks 1–4 back to sound type B, and play
FREE tracks 1–4 in the same way as in Intro B.
121 Ending B At the start of this section, switch mutes ON for COMPOSED LOOP 1 and
2, so that all looping tracks are muted and only FREE tracks are unmuted.
Play FREE tracks 1–4 as in Intro A.
130 Hold FREE 1 until measure 130, where the song ends.
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