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Transpose, Shift note, Crescendo – Yamaha EX5R User Manual

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Song Mode

5. Transpose

This job lets you transpose in semitones the notes in
the designated range of a specified sequence track.

Track

Sets the track where Transpose will be executed.

Settings: 1~16 (Sequence tracks 1~16)

Measure

Sets the measure range (beginning measure to the
end measure) where Transpose is executed.

Settings: 001~999 (for the beginning measure and the

end measure)

Transpose

Sets the transposition value (semitones). A value of
+12 transposes all targeted notes up exactly by one
octave, while a value of –12 transposes down by a
octave.

Settings: –99~+0~+99

6. Shift Note

This job replaces all occurrences of a specified pitch
(within the designated range of the specified sequence
track) with some other pitch.

Track

Sets the track where Shift Note will be executed.

Settings: 1~16 (Sequence tracks 1~16)

Measure

Sets the measure range (beginning measure to the
end measure) where Shift Note is executed.

Settings: 001~999 (for the beginning measure and the

end measure)

FromNote (source note)

Sets the source pitch that will be changed.

Settings: C–2~G8

To Note(destination note)

Sets the destination pitch.

Settings: C–2~G8

7. Crescendo

This job gradually increases or decreases the volume of
your performance. This job produces the crescendo
(increasing) or diminuendo (decreasing) effect by
applying a gradual change to the velocity of a
designated range of a specified track.

Track

Sets the track where Crescendo will be executed.

Settings: 1~16 (Sequence tracks 1~16)

Measure

Sets the measure range (beginning measure to the
end measure) where Crescendo is executed.

Settings: 001~999 (for the beginning measure and the

end measure)

Range

Sets the amount of the crescendo/diminuendo. You
can specify the final velocity value to be reached at
the end of the designated range. Positive settings will
produce a crescendo, while negative settings produce
a diminuendo. The velocity value doesn’t exceed the
upper and lower limits,1 and 127.

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