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The makeup of a style – Roland KF-90 User Manual

Page 134

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134

Chapter 7 Using Other Functions

Changing the Settings for Each Part

1.

At the Style Composer screen, touch .

The following screen will appear.

fig.07-05.eps

2.

Press Part <

> and <

> to choose the Part that

contains the settings you want to change.

The Part number and the tone name is displayed at the

top of the screen.

3.

Touch the corresponding

to change the

settings for each item.

Display

Description

Volume

Adjusts the volume level.

Reverb

Adjusts the depth of the reverb effect.

Chorus

Adjusts the amount of chorus.

Panpot

Shifts the direction the sound is heard from to the

left or right. Touch

to shift the sound to the

right, or touch

to shift it to the left.

You can change the Tone for the selected Part by

pressing the Tone Select button.

4.

When you’re done changing the settings, touch

.

The Style Composer screen appears.

Creating a Style from a Song
You Composed Yourself (Style
Converter)

You can take a song you’ve composed yourself and extract

the portions you need to create your own original Style.

Note that when you’re composing a song, there’s no need to

specify all the chords. You can specify just some of the

chords, and working on that, the KF-90 automatically

extrapolates the other chords, and arranges the style.

The Style Converter has an “Auto Mode” for creating Music

Styles simply from a song with a single chord, and a

“Manual Mode” for creating a Music Style from a song of

three chords (major, minor, and diminished seventh).

When you’re creating a song for User Style, think about the

structure of the style.

The Makeup of a Style

A Music Style is made up of five performance parts:

“Rhythm,” “Bass,” “Accompaniment 1,” “Accompaniment

2,” and “Accompaniment 3.”

Also, a song progresses in a sequence, such as intro, melody

A, melody B, bridge, and ending.

With the KF-90, such changes in songs are allocated to the

following six performance states. The six performance states

are called “Divisions” for Style.

Division

Performance division

Intro

The intro is played at the start of a song.

Ending

This is played at the end of a song.

Original

This is a basic accompaniment pattern.

Variation

This is a developmental

accompaniment pattern.

Fill In To Variation

This is a one-measure phrase inserted

at a juncture where the mood changes.

It is used to make a song more lively.

Fill In To Original

This is a one-measure phrase inserted

at a juncture where the mood changes.

It is used to make a song more sedate.

You can make a song more lively or more restrained by

increasing or reducing performance parts by Divisions. You

can also modify a song by changing the tone of the

performance parts by Divisions.