Roland KF-90 - Manual (Page 101)

101
Chapter 4 Recording and Saving the Performance
Chapter 4
Redoing a Recording
Redoing a recording involves specifying a Track button you want to record
over and then recording over again.
When you select a Track button and record over a track that has already
been recorded, the newly recorded performance occupies a position
extending from the location where you started recording to where you
stopped recording.
1.
Using the Bwd [ ] and Fwd [ ] buttons, move to the
measure where you wish to start recording.
Press the Reset [ ] button at the beginning of the song.
2.
Press the Rec [ ] button.
The Rec [ ] button’s indicator lights up.
The 5 Track screen appears.
To stop recording, press the Stop [ ] button.
3.
Touch the Track button for the track you want to record over.
< > will appear above the selected Track button.
The Rec [ ] button and Play [ ] button indicators will flash, and the KF-
90 will be ready for recording.
4.
Begin recording.
If you redo a recording with Automatic Accompaniment, specify a chord in
the left-hand section of the keyboard, or press the [Start/Stop] button.
If you don’t use automatic accompaniment, press the [Sync/Reset] button to
extinguish the indicator, and then press the Play [
] button.
The mark < > changes < >.
5.
To stop recording, press the Stop [ ] button.
To record the ending over again, press the Intro/Ending [1] or [2] button.
With songs in the KF-90's
internal memory, the Track
buttons are shown when
the Rec [ ] button is
pressed.
For information on the
Track buttons, take a look
at “What is a Track
Button?” (p. 97).
If you want to erase a
previous performance
before recording over it,
take a look at “Erasing the
Sound Recorded at Specific
Track Buttons” (p. 102).
The song’s tempo is
determined when the song
is first recorded. Even
when each track is
recorded over with the
tempo changed, the song is
played back at the tempo
selected when the song was
first recorded. To change
the tempo of a song that
has already been recorded,
refer to “Changing a Song’s
Basic Tempo” (p. 122).